Previous Verse
Next Verse

Shloka 32

ब्रह्माण्डदान-प्रशंसा तथा ब्रह्माण्ड-प्रमाण-वर्णनम्

Praise of the Gift of the Cosmic Egg and Description of the Brahmāṇḍa’s Measure

भूषणान्यतिशुभ्राणि गंधाढ्यं चानुलेपनम् । वीणावेणुमृदंगानां स्वना गेयानि च द्विज

bhūṣaṇānyatiśubhrāṇi gaṃdhāḍhyaṃ cānulepanam | vīṇāveṇumṛdaṃgānāṃ svanā geyāni ca dvija

There are exceedingly radiant ornaments, and unguents rich with fragrance; and, O twice-born one, the resonant sounds of vīṇā, flute, and mṛdaṅga, along with songs to be sung.

भूषणानिornaments
भूषणानि:
Karta (कर्ता)
TypeNoun
Rootभूषण (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा-विभक्ति, बहुवचन
अति-शुभ्राणिvery bright/white
अति-शुभ्राणि:
Karta (कर्ता)
TypeAdjective
Rootअति (अव्यय) + शुभ्र (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा-विभक्ति, बहुवचन; अव्ययीभाव-समास (अति शुभ्राणि) विशेषण (भूषणानि इत्यस्य)
गन्ध-आढ्यम्rich in fragrance
गन्ध-आढ्यम्:
Karta (कर्ता)
TypeAdjective
Rootगन्ध + आढ्य (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा-विभक्ति, एकवचन; तत्पुरुष-समास (गन्धेन आढ्यम्)
and
:
Sambandha (सम्बन्ध/समुच्चय)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयबोधक-अव्यय (conjunction)
अनुलेपनम्anointing/unguent
अनुलेपनम्:
Karta (कर्ता)
TypeNoun
Rootअनुलेपन (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा-विभक्ति, एकवचन
वीणा-वेणु-मृदङ्गानाम्of vīṇās, flutes, and mṛdaṅgas
वीणा-वेणु-मृदङ्गानाम्:
Sambandha (सम्बन्ध/षष्ठी)
TypeNoun
Rootवीणा + वेणु + मृदङ्ग (प्रातिपदिक)
Formपुंलिङ्ग/नपुंसकलिङ्ग (समाहार-द्वन्द्वे नपुंसकत्वं सम्भवति; अत्र षष्ठी बहुवचन), षष्ठी-विभक्ति, बहुवचन; द्वन्द्व-समास
स्वनाःsounds
स्वनाः:
Karta (कर्ता)
TypeNoun
Rootस्वन (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति, बहुवचन
गेयानिto be sung/singable
गेयानि:
Karta (कर्ता)
TypeAdjective
Rootगेय (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा-विभक्ति, बहुवचन; विशेषण (स्वनाः/गीतवस्तूनि इत्यर्थे)
and
:
Sambandha (सम्बन्ध/समुच्चय)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयबोधक-अव्यय (conjunction)
द्विजO twice-born (brāhmaṇa)
द्विज:
Sambodhana (सम्बोधन)
TypeNoun
Rootद्विज (प्रातिपदिक)
Formपुंलिङ्ग, सम्बोधन-विभक्ति, एकवचन

Suta Goswami (narrating to the sages, addressing a brāhmaṇa as 'dvija')

Tattva Level: pasha

Sthala Purana: Not a shrine-origin; it continues the catalogue of refined enjoyments (ornaments, perfumes, music) characteristic of karmaphala-bhoga realms.

Significance: Didactic: highlights sensory refinement as a form of bondage when pursued as an end; points implicitly to redirecting sound/beauty toward stotra, nāda, and Śiva-upāsanā.

Type: stotra

Role: nurturing

Offering: dhupa

FAQs

It highlights that refined, pure offerings—fragrance, adornment, and sacred music—can become instruments of bhakti when directed to Pati (Śiva), transforming sense-objects into devotion rather than bondage.

These are classic upacāras (services) of Saguna worship: gandha/anulepana and gīta-vādya (song and instruments) offered to Śiva (often before the Liṅga), expressing reverence through sound, scent, and purity.

In Śiva-pūjā, offer fragrant sandal paste (anulepana) and accompany worship with stotra/saṅkīrtana or gentle vādya; inwardly, keep the mind steady on Śiva while sound and fragrance become supports for remembrance (smaraṇa).