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Shloka 20

Sunartaka-Naṭa Avatāra and Pārvatī’s Boon-Request (Śiva as the Testing Benefactor)

शृंगञ्च डमरुन्तत्र वादयामास सुध्वनिम् । महोतिं विविधाम्प्रीत्या स चकार मनोहराम्

śṛṃgañca ḍamaruntatra vādayāmāsa sudhvanim | mahotiṃ vividhāmprītyā sa cakāra manoharām

There He joyfully sounded the horn and the ḍamaru, producing a sweet resonance; and with loving delight He performed many splendid, captivating festive rites.

शृङ्गम्horn (instrument)
शृङ्गम्:
Karma (कर्म)
TypeNoun
Rootशृङ्ग (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया-विभक्ति (कर्म), एकवचन
and
:
Sambandha (सम्बन्ध/connector)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चय-अव्यय (conjunction)
डमरुम्ḍamaru drum
डमरुम्:
Karma (कर्म)
TypeNoun
Rootडमरु (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया-विभक्ति, एकवचन
तत्रthere
तत्र:
Adhikarana (अधिकरण)
TypeIndeclinable
Rootतत्र (अव्यय)
Formदेशवाचक-अव्यय (locative adverb)
वादयामासcaused to be played / played
वादयामास:
Kriya (क्रिया)
TypeVerb
Rootवादय् (धातु) < वद् (धातु) + णिच्
Formलिट् (परिप्रास/Perfect), प्रथमपुरुष, एकवचन, परस्मैपद; णिजन्त (causative)
सुध्वनिम्sweet sound
सुध्वनिम्:
Karma (कर्म)
TypeNoun
Rootसु-ध्वनि (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया-विभक्ति, एकवचन; उपसर्गपूर्वक-तत्पुरुष (सु + ध्वनि)
महोतिम्great festival/celebration
महोतिम्:
Karma (कर्म)
TypeNoun
Rootमहोति (प्रातिपदिक)
Formस्त्रीलिङ्ग, द्वितीया-विभक्ति, एकवचन
विविधाम्various
विविधाम्:
Visheshana (विशेषण)
TypeAdjective
Rootविविध (प्रातिपदिक)
Formस्त्रीलिङ्ग, द्वितीया-विभक्ति, एकवचन; विशेषण (qualifying महोतिम्)
प्रीत्याwith joy / out of affection
प्रीत्या:
Karana/Hetu (करण/हेतु)
TypeNoun
Rootप्रीति (प्रातिपदिक)
Formस्त्रीलिङ्ग, तृतीया-विभक्ति (करण), एकवचन; भाववाचक
he
:
Karta (कर्ता)
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति, एकवचन; सर्वनाम
चकारmade / did
चकार:
Kriya (क्रिया)
TypeVerb
Rootकृ (धातु)
Formलिट् (Perfect), प्रथमपुरुष, एकवचन, परस्मैपद
मनोहराम्charming
मनोहराम्:
Visheshana (विशेषण)
TypeAdjective
Rootमनोहर (प्रातिपदिक)
Formस्त्रीलिङ्ग, द्वितीया-विभक्ति, एकवचन; विशेषण (qualifying महोतिम्)

Suta Goswami

Tattva Level: pati

Shiva Form: Naṭarāja

S
Shiva

FAQs

The verse highlights sacred sound (nāda) as a devotional offering—sweet resonance that delights the mind and turns attention toward Shiva’s auspicious presence, supporting bhakti and inner purification.

It reflects Saguna worship where Shiva is approached through perceivable symbols—music, festival rites, and auspicious sounds—offered with love, just as one offers flowers, lamps, and mantra before the Linga.

Perform Shiva-upacāra with mantra and sound: japa of the Panchakshara (Om Namaḥ Śivāya) alongside rhythmic focus (listening/intoning), treating sound as an offering while maintaining devotional concentration.