बाणस्य शोकः शिवस्मरणं च — Bāṇa’s Grief and the Turn to Śiva-Remembrance
ननर्त तांडवं मुख्यं प्रत्यालीढादिशोभितम् । स्थानकैर्विविधाकारैरालीढप्रमुखैरपि
nanarta tāṃḍavaṃ mukhyaṃ pratyālīḍhādiśobhitam | sthānakairvividhākārairālīḍhapramukhairapi
He danced the supreme Tāṇḍava, made resplendent by the pratyālīḍha and other heroic postures, and by many kinds of stances—ālīḍha and the rest—manifest in diverse forms.
Suta Goswami
Tattva Level: pati
Shiva Form: Naṭarāja
Sthala Purana: Not a Jyotirliṅga narrative; the tāṇḍava motif evokes Śiva’s cosmic dance archetype, though here performed by the devotee in imitation/propitiation.
Significance: Contemplation of Naṭarāja-tattva: recognizing Śiva as the cosmic agent whose dance governs dissolution and renewal; inspires surrender and inner stillness.
Shiva’s supreme Tāṇḍava signifies the Lord’s sovereign power to dissolve impurity and bondage (pāśa) and to re-establish dharma; contemplating this divine action turns the mind toward Pati (the Lord) as the liberator in Shaiva Siddhanta.
The verse highlights Saguna Shiva—Rudra as a manifest, worshipful reality whose cosmic activity can be adored. Linga-worship similarly focuses devotion on Shiva’s accessible form, through which grace descends and the soul is led toward realization.
A practical takeaway is dhyāna on Nataraja (Shiva as the cosmic dancer) while repeating the Panchakshara mantra “Om Namaḥ Śivāya,” optionally supported by Tripuṇḍra (bhasma) and rudrākṣa as aids to steadiness and devotion.