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Shloka 10

बाणस्य शोकः शिवस्मरणं च — Bāṇa’s Grief and the Turn to Śiva-Remembrance

ननर्त तांडवं मुख्यं प्रत्यालीढादिशोभितम् । स्थानकैर्विविधाकारैरालीढप्रमुखैरपि

nanarta tāṃḍavaṃ mukhyaṃ pratyālīḍhādiśobhitam | sthānakairvividhākārairālīḍhapramukhairapi

He danced the supreme Tāṇḍava, made resplendent by the pratyālīḍha and other heroic postures, and by many kinds of stances—ālīḍha and the rest—manifest in diverse forms.

nanarta(he) danced
nanarta:
Kriyā (क्रिया)
TypeVerb
Rootनृत् (धातु)
Formलिट् (Perfect/परोक्षभूत), परस्मैपद, प्रथमपुरुष (3rd person), एकवचन (singular)
tāṇḍavamthe tāṇḍava dance
tāṇḍavam:
Karma (कर्म)
TypeNoun
Rootताण्डव (प्रातिपदिक)
Formनपुंसकलिङ्ग (neuter), द्वितीया (Accusative/2nd), एकवचन (singular)
mukhyamprincipal, foremost
mukhyam:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootमुख्य (प्रातिपदिक)
Formनपुंसकलिङ्ग (neuter), द्वितीया (Accusative/2nd), एकवचन (singular); विशेषण (qualifier) of ताण्डवम्
pratyālīḍha-ādi-śobhitamadorned with pratyālīḍha etc. (postures)
pratyālīḍha-ādi-śobhitam:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootप्रत्यालीढ + आदि + शोभित (कृदन्त; √शुभ्/शोभ्)
Formनपुंसकलिङ्ग (neuter), द्वितीया (Accusative/2nd), एकवचन (singular); भूतकृदन्त (past participle) ‘शोभित’ = adorned; समासः: (प्रत्यालीढादि) + शोभितम्
sthānakaiḥwith stances/poses
sthānakaiḥ:
Karaṇa (करण)
TypeNoun
Rootस्थानक (प्रातिपदिक)
Formनपुंसकलिङ्ग (neuter), तृतीया (Instrumental/3rd), बहुवचन (plural)
vividha-ākāraiḥwith various forms
vividha-ākāraiḥ:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootविविध + आकार (प्रातिपदिक)
Formपुंलिङ्ग (masculine) आकार-शब्दः, तृतीया (Instrumental/3rd), बहुवचन (plural); समासः: विविधाः आकाराः = विविधाकाराः
ālīḍha-pramukhaiḥwith those beginning with ālīḍha (postures)
ālīḍha-pramukhaiḥ:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootआलीढ + प्रमुख (प्रातिपदिक)
Formपुंलिङ्ग (masculine), तृतीया (Instrumental/3rd), बहुवचन (plural); समासः: आलीढः प्रमुखः येषां ते (आलीढप्रमुखाः)
apialso
api:
Sambandha-bodhaka (सम्बन्ध/निपात)
TypeIndeclinable
Rootअपि (अव्यय)
Formनिपात (particle); समुच्चय/अपि = also, even

Suta Goswami

Tattva Level: pati

Shiva Form: Naṭarāja

Sthala Purana: Not a Jyotirliṅga narrative; the tāṇḍava motif evokes Śiva’s cosmic dance archetype, though here performed by the devotee in imitation/propitiation.

Significance: Contemplation of Naṭarāja-tattva: recognizing Śiva as the cosmic agent whose dance governs dissolution and renewal; inspires surrender and inner stillness.

S
Shiva

FAQs

Shiva’s supreme Tāṇḍava signifies the Lord’s sovereign power to dissolve impurity and bondage (pāśa) and to re-establish dharma; contemplating this divine action turns the mind toward Pati (the Lord) as the liberator in Shaiva Siddhanta.

The verse highlights Saguna Shiva—Rudra as a manifest, worshipful reality whose cosmic activity can be adored. Linga-worship similarly focuses devotion on Shiva’s accessible form, through which grace descends and the soul is led toward realization.

A practical takeaway is dhyāna on Nataraja (Shiva as the cosmic dancer) while repeating the Panchakshara mantra “Om Namaḥ Śivāya,” optionally supported by Tripuṇḍra (bhasma) and rudrākṣa as aids to steadiness and devotion.