कैलासमार्गे शङ्करस्य परीक्षा — Śiva Tests the Approachers on the Kailāsa Path
विरूपाक्षाय रुद्राय बहुरूपाय शंभवे । विरूपायातिरूपाय रूपातीताय ते नमः
virūpākṣāya rudrāya bahurūpāya śaṃbhave | virūpāyātirūpāya rūpātītāya te namaḥ
Salutations to You—Rudra, the Virūpākṣa, Lord of wondrous and transcendent sight; Śambhu of manifold forms; You who are beyond ordinary form, beyond even all supernal forms, and who ultimately transcend form altogether.
Suta Goswami (narrating the hymn within the Yuddha-khaṇḍa context to the sages of Naimisharanya)
Tattva Level: pati
Shiva Form: Rudra
Significance: Meditation on Śiva as ‘bahurūpa’ yet ‘rūpātīta’ supports the pilgrim’s inner-tīrtha: seeing all forms as His concealment (tirodhāna) and realizing the formless through grace.
Mantra: virūpākṣāya rudrāya bahurūpāya śaṃbhave | virūpāyātirūpāya rūpātītāya te namaḥ
Type: stotra
Role: teaching
This verse praises Śiva as simultaneously accessible through countless divine forms (bahurūpa) and ultimately transcendent of all form (rūpātīta). In a Shaiva Siddhanta lens, it directs devotion toward Pati (Śiva) who grants grace and liberation—showing that worship may begin with form, yet culminates in realizing the Formless Lord beyond all limiting appearances.
The Linga is a central Shaiva symbol that holds both meanings at once: a worshipable presence (saguṇa support for bhakti) and a sign of the formless Absolute (nirguṇa reality). Calling Śiva bahurūpa and rūpātīta harmonizes image-based devotion with the truth that Śiva is not confined to any single icon or attribute.
Use this as a short stotra during japa of the Panchakshara ("Om Namaḥ Śivāya"), contemplating Śiva as the many-formed Lord pervading all, then resting attention in the rūpātīta (beyond-form) silence. In pūjā, it pairs naturally with offering bhasma (Tripuṇḍra) and bilva leaves while maintaining inner remembrance of Śiva’s transcendence.