दक्षयज्ञे मुनिदेवसमागमः / The Gathering of Sages and Gods at Dakṣa’s Sacrifice
अध्वर्यवोथ होतारस्तावन्तो नारदादयः । सप्तर्षयस्समा गाथाः कुर्वंति स्म पृथक्पृथक्
adhvaryavotha hotārastāvanto nāradādayaḥ | saptarṣayassamā gāthāḥ kurvaṃti sma pṛthakpṛthak
Then the Adhvaryu priests and the Hotṛ priests—along with Nārada and others—together with the Seven Ṛṣis, each in his own way, began composing and reciting harmonious hymns of praise in that sacred assembly.
Suta Goswami
Tattva Level: pasha
It highlights collective yet individualized devotion: realized sages and Vedic priests praise the Supreme Pati (Lord Shiva) through sacred speech, showing that harmony in worship can arise even when each devotee offers prayer in a distinct way.
The verse depicts formal and devotional praise offered in an assembly context typical of Saguna worship—where Shiva is approached through name, form, hymn, and rite—often culminating in offerings to the Linga as the accessible emblem of the transcendent Lord.
Regular stotra-japa and Vedic-style recitation with focused mind (bhāva) is implied—devotees may adopt daily hymn recitation to Shiva and pair it with mantra practice such as the Panchākṣarī (“Om Namaḥ Śivāya”) for steadiness and inner purification.