सतीकृतप्रार्थना तथा परतत्त्वजिज्ञासा — Satī’s Prayer and Inquiry into the Supreme Principle
चिक्रीडाते बहुविधे कैलासे हिमवद्गिरौ । अन्यस्थलेषु च तदा परब्रह्मस्वरूपिणौ
cikrīḍāte bahuvidhe kailāse himavadgirau | anyasthaleṣu ca tadā parabrahmasvarūpiṇau
Then those two—whose true essence is the Supreme Brahman—sported in many ways upon Kailāsa in the Himavat mountains, and likewise at other places at that time.
Sūta Gosvāmin
Tattva Level: pati
Shiva Form: Sadāśiva
Sthala Purana: Kailāsa is invoked as the divine abode where the Supreme (parabrahma-svarūpa) couple sports; this is a locus of līlā rather than a Jyotirliṅga origin.
Significance: Darśana/ स्मरण of Kailāsa is held to purify and orient the devotee toward Śiva’s transcendence and immanence; the verse supports tīrtha-smaraṇa as a bhakti practice.
Shakti Form: Satī
Role: nurturing
It presents Śiva and Śakti (here as Śiva with Satī) as simultaneously manifest in divine play (līlā) and established in the highest reality, Parabrahman—teaching that liberation is grounded in recognizing the Lord’s transcendence even within sacred, personal forms.
By calling them “parabrahma-svarūpa,” the verse supports Saguna worship (Śiva approachable through form, place, and līlā—like Kailāsa) while affirming that the same Lord is ultimately Nirguna/Paramārthika, which is also signified by the Liṅga as the formless Absolute made worshipful.
Contemplate Śiva as Parabrahman while performing Saguna devotion—e.g., japa of the Pañcākṣarī “Om Namaḥ Śivāya” with inner remembrance that the playful Lord of Kailāsa is the very Supreme Reality.