Previous Verse
Next Verse

Shloka 13

शिवरूपदर्शनम्

Menā’s Vision of Śiva’s Divine Form

गंगा च यमुना चैव विधत्तः स्म सुचामरे । सिद्धयोऽष्टौ पुरस्तस्य कुर्वन्ति स्म सुनर्त्तनम्

gaṃgā ca yamunā caiva vidhattaḥ sma sucāmare | siddhayo'ṣṭau purastasya kurvanti sma sunarttanam

Gaṅgā and Yamunā, too, were appointed to fan him with splendid cāmaras; and the eight Siddhis, standing before him, performed an auspicious dance.

gaṅgāGaṅgā
gaṅgā:
Karta (कर्ता)
TypeNoun
Rootgaṅgā (प्रातिपदिक)
FormFeminine (स्त्रीलिङ्ग), Nominative (1st/प्रथमा), Singular (एकवचन)
caand
ca:
Samuccaya (समुच्चय)
TypeIndeclinable
Rootca (अव्यय)
FormConjunction particle (समुच्चयबोधक अव्यय)
yamunāYamunā
yamunā:
Karta (कर्ता)
TypeNoun
Rootyamunā (प्रातिपदिक)
FormFeminine (स्त्रीलिङ्ग), Nominative (1st/प्रथमा), Singular (एकवचन)
caand
ca:
Samuccaya (समुच्चय)
TypeIndeclinable
Rootca (अव्यय)
FormConjunction particle (समुच्चयबोधक अव्यय)
evaindeed
eva:
Avadhāraṇa (अवधारण)
TypeIndeclinable
Rooteva (अव्यय)
FormEmphatic particle (अवधारण अव्यय)
vidhattaḥthey two arranged/provided
vidhattaḥ:
Kriyā (क्रिया)
TypeVerb
Rootvi-√dhā (धा धातु)
FormLuṅ (लुङ्) Aorist; Parasmaipada (परस्मैपद); 3rd person (प्रथमपुरुष), Dual (द्विवचन); ‘they two arranged/provided’
sma(indeed/then) [past marker]
sma:
Kāla-bodhaka (कालबोधक)
TypeIndeclinable
Rootsma (अव्यय)
FormParticle indicating past narration (स्म-प्रयोग)
su-cāmaretwo fine cāmara-fans
su-cāmare:
Karma (कर्म)
TypeNoun
Rootsu (अव्यय/उपसर्गवत्) + cāmara (प्रातिपदिक)
FormKarmadhāraya (कर्मधारय) ‘excellent yak-tail fans’; Neuter (नपुंसकलिङ्ग), Accusative (2nd/द्वितीया), Dual (द्विवचन)
siddhayaḥthe Siddhis (attainments/personified powers)
siddhayaḥ:
Karta (कर्ता)
TypeNoun
Rootsiddhi (प्रातिपदिक)
FormFeminine (स्त्रीलिङ्ग), Nominative (1st/प्रथमा), Plural (बहुवचन)
aṣṭaueight
aṣṭau:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootaṣṭa (प्रातिपदिक)
FormNumeral adjective (संख्यावाचक); Feminine (स्त्रीलिङ्ग), Nominative (1st/प्रथमा), Plural (बहुवचन); qualifying siddhayaḥ
purastātin front
purastāt:
Deśa-adhikaraṇa (देश-अधिकरण)
TypeIndeclinable
Rootpurastāt (अव्यय)
FormAvyaya; adverb (क्रियाविशेषण) ‘in front/before’
tasyaof him/of that
tasya:
Sambandha (सम्बन्ध/षष्ठी)
TypeNoun
Roottad (प्रातिपदिक)
FormSarvanāma (सर्वनाम); Masculine/Neuter, Genitive (6th/षष्ठी), Singular (एकवचन)
kurvantido/perform
kurvanti:
Kriyā (क्रिया)
TypeVerb
Root√kṛ (कृ धातु)
FormLaṭ (लट्) Present; Parasmaipada (परस्मैपद); 3rd person (प्रथमपुरुष), Plural (बहुवचन)
sma(indeed/then) [past marker]
sma:
Kāla-bodhaka (कालबोधक)
TypeIndeclinable
Rootsma (अव्यय)
FormParticle indicating past narration (स्म-प्रयोग)
su-narttanama fine dance
su-narttanam:
Karma (कर्म)
TypeNoun
Rootsu (अव्यय/उपसर्गवत्) + nartana (प्रातिपदिक)
FormKarmadhāraya (कर्मधारय) ‘excellent dance’; Neuter (नपुंसकलिङ्ग), Accusative (2nd/द्वितीया), Singular (एकवचन)

Suta Goswami

Tattva Level: pati

Shiva Form: Naṭarāja

Offering: pushpa

G
Ganga
Y
Yamuna
A
Ashta Siddhis

FAQs

It portrays the Lord’s supremacy (Pati) as even sacred rivers and the eight Siddhis become attendants, implying that powers and purity are fulfilled when they serve devotion to Shiva rather than become ends in themselves.

The imagery of fanning, presence, and dance reflects Saguna worship—Shiva experienced as a personal, gracious Lord with a divine retinue—supporting temple and Liṅga worship where service (upacāra) expresses bhakti.

Offer upacāras in Shiva-puja (e.g., fanning, ārati, stotra) while mentally surrendering all “siddhis” to Shiva; chant the Pañcākṣarī (Om Namaḥ Śivāya) with the intent that spiritual attainments remain instruments of devotion.