पार्वत्याः पितृगृहगमनं तथा मङ्गलस्वागतम् | Pārvatī’s Return to Her Father’s House and the Auspicious Welcome
शृंगं च डमरुं तत्र वादयामास सुध्वनिम् । महतीं विविधां तत्र स चकार मनोहराम्
śṛṃgaṃ ca ḍamaruṃ tatra vādayāmāsa sudhvanim | mahatīṃ vividhāṃ tatra sa cakāra manoharām
There he began to play the horn and the ḍamaru, producing a sweet, resonant sound; and in that place he created a great, varied, and enchanting music.
Suta Goswami (narrating to the sages of Naimisharanya)
Tattva Level: pati
Shiva Form: Naṭarāja
Shakti Form: Pārvatī
Role: nurturing
The verse highlights nāda (sacred sound) as Shiva’s manifest grace: the enchanting rhythm of the ḍamaru symbolizes the Lord’s power to harmonize the mind and turn awareness toward devotion and liberation (moksha).
The ḍamaru and horn evoke Saguna Shiva’s līlā—devotees can contemplate Shiva’s audible presence (nāda) while worshipping the Linga, treating sound, mantra, and ritual as supports leading the mind toward the transcendent (Nirguna) Shiva.
Practice nāda-anusandhāna (meditation on sacred sound) by mentally hearing Shiva’s ḍamaru while japa of the Panchakshara—“Om Namaḥ Śivāya”—optionally with Tripuṇḍra (bhasma) and Rudrāksha as Shaiva supports.