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Shloka 16

संन्यासमण्डलविधिवर्णनम्

Sannyāsa Maṇḍala Vidhi—Procedure for the Renunciate Mandala

आग्नेयकोष्ठमध्ये तु पीताभे चतुरस्रके । अष्टपत्रं लिखेत्पद्मं रक्ताभं पीतकर्णिकम्

āgneyakoṣṭhamadhye tu pītābhe caturasrake | aṣṭapatraṃ likhetpadmaṃ raktābhaṃ pītakarṇikam

In the Agneya (fire, southeastern) compartment, within a yellow-hued square, one should draw an eight-petalled lotus—reddish in colour, with a yellow karṇikā (pericarp) at its centre.

आग्नेयकोष्ठमध्येin the middle of the southeast compartment
आग्नेयकोष्ठमध्ये:
अधिकरण (Adhikaraṇa/अधिकरण)
TypeNoun
Rootआग्नेय + कोष्ठ + मध्य (प्रातिपदिक)
Formनपुंसकलिङ्ग, सप्तमी विभक्ति (Locative), एकवचन; बहुपद-तत्पुरुष (‘in the middle of the āgneya compartment’)
तुindeed/and
तु:
सम्बन्ध (Discourse particle)
TypeIndeclinable
Rootतु (अव्यय)
Formनिपात (particle)
पीताभेin the yellow-looking (one)
पीताभे:
अधिकरण (Adhikaraṇa/अधिकरण)
TypeAdjective
Rootपीत + आभ (प्रातिपदिक)
Formनपुंसकलिङ्ग, सप्तमी विभक्ति, एकवचन; कर्मधारय (‘yellow in appearance’), qualifying ‘चतुरस्रके’
चतुरस्रकेin the square
चतुरस्रके:
अधिकरण (Adhikaraṇa/अधिकरण)
TypeNoun
Rootचतुरस्रक (प्रातिपदिक)
Formनपुंसकलिङ्ग, सप्तमी विभक्ति, एकवचन; ‘in the square (diagram)’
अष्टपत्रम्eight-petaled
अष्टपत्रम्:
विशेषण (Viśeṣaṇa)
TypeAdjective
Rootअष्ट + पत्र (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया विभक्ति, एकवचन; द्विगु (‘eight-petaled’) qualifying ‘पद्मम्’
लिखेत्should draw
लिखेत्:
क्रिया (Kriyā/क्रिया)
TypeVerb
Rootलिख् (धातु)
Formविधिलिङ् (Optative), परस्मैपद, प्रथमपुरुष, एकवचन; ‘should draw/write’
पद्मम्lotus
पद्मम्:
कर्म (Karma/कर्म)
TypeNoun
Rootपद्म (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया विभक्ति, एकवचन
रक्ताभम्red-looking
रक्ताभम्:
विशेषण (Viśeṣaṇa)
TypeAdjective
Rootरक्त + आभ (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया विभक्ति, एकवचन; कर्मधारय (‘red in appearance’), qualifying ‘पद्मम्’
पीतकर्णिकम्with a yellow center
पीतकर्णिकम्:
विशेषण (Viśeṣaṇa)
TypeAdjective
Rootपीत + कर्णिका (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया विभक्ति, एकवचन; कर्मधारय (‘having a yellow pericarp/center’), qualifying ‘पद्मम्’

Lord Shiva (instructing on ritual/yantra visualization within the Kailasa Samhita discourse)

Tattva Level: pasha

Shiva Form: Sadyojāta

Role: creative

S
Shiva
A
Agni

FAQs

It encodes a sacred visualization: the ordered placement of colour, direction, and lotus-form disciplines the mind, making the inner worship fit to receive Shiva’s grace (Pati) and loosen bondage (pāśa) for the bound soul (paśu).

Such lotus-and-direction prescriptions commonly serve as the supporting yantric seat (āsana) for Saguna worship—preparing a consecrated inner/outer space in which the Linga or a form of Shiva is invoked and stabilized in meditation.

A dhyāna/yantra practice: mentally or physically draw a yellow square in the Agni (southeast) section and inscribe an eight-petalled lotus with a yellow centre, then proceed with mantra-japa and offering as instructed in the surrounding rite.