Narada Purana — Purva Bhaga, Shloka 33
Vyākaraṇa-saṅgraha: Pada–Vibhakti–Kāraka–Lakāra–Samāsa
राम ँकाम्यः कृप ँपूज्यो हरिः पूज्योऽर्च्य एव हि । रोमो दृष्टोऽबला अत्र सुप्ता इष्टा इमा यतः ॥ ३३ ॥
rāma ṃkāmyaḥ kṛpa ṃpūjyo hariḥ pūjyo'rcya eva hi | romo dṛṣṭo'balā atra suptā iṣṭā imā yataḥ || 33 ||
Rāma is the most desirable object of devotion; out of compassion He is to be worshipped. Indeed, Hari alone is worthy of worship and adoration. Here the hairs are seen to stand on end through bhakti, and these helpless women lie asleep—therefore this is the cherished marvel in this place.
Sanatkumara (in dialogue with Narada, Moksha-dharma section)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: adbhuta
FAQs
It asserts exclusive worship-worthiness of Hari (Viṣṇu/Rāma) and points to devotional transformation—signs like romaharṣa (hairs standing on end) arising in the presence of sacred remembrance or narrative.
Bhakti is framed as single-pointed worship (pūjā/arcana) of Hari, motivated by His compassion; the verse also hints that true devotion manifests as involuntary spiritual emotion (sāttvika-bhāvas).
No specific Vedāṅga technique is taught in this verse; the practical takeaway is ritual-practice vocabulary—pūjā and arcana directed to Hari as the primary object of worship in Narada Purana rituals.