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Shloka 157

Matsya Purana — Yadu Lineage

प्रणवे ऋग्यजुःसाम्ने स्वाहाय च स्वधाय च वषट्कारात्मने चैव तुभ्यं मन्त्रात्मने नमः //

praṇave ṛgyajuḥsāmne svāhāya ca svadhāya ca vaṣaṭkārātmane caiva tubhyaṃ mantrātmane namaḥ //

Salutations to You who are the Pranava (Oṁ); to You who are the essence of the Ṛg, Yajus, and Sāman; to You who are present as the invocations svāhā and svadhā; and to You who are embodied as the sacrificial call vaṣaṭ—obeisance to You, the very Self of mantra.

प्रणवे (praṇave)to the Pranava, Oṁ
प्रणवे (praṇave):
ऋग्यजुःसाम्ने (ṛg-yajuḥ-sāmne)to the Ṛgveda, Yajurveda, and Sāmaveda (as Your form)
ऋग्यजुःसाम्ने (ṛg-yajuḥ-sāmne):
स्वाहाय (svāhāya)to Svāhā, the offering-call for devas
स्वाहाय (svāhāya):
स्वधाय (svadhāya)to Svadhā, the offering-call for pitṛs/ancestors
स्वधाय (svadhāya):
वषट्कारात्मने (vaṣaṭ-kāra-ātmane)to Him whose nature is the vaṣaṭ exclamation in sacrifice
वषट्कारात्मने (vaṣaṭ-kāra-ātmane):
चैव (caiva)and indeed/also
चैव (caiva):
तुभ्यं (tubhyaṃ)to You
तुभ्यं (tubhyaṃ):
मन्त्रात्मने (mantra-ātmane)to the One whose essence is mantra
मन्त्रात्मने (mantra-ātmane):
नमः (namaḥ)salutation/obeisance.
नमः (namaḥ):
Likely the narrator/reciter within a hymn-like passage (stotra), traditionally framed in Matsya Purana discourse between Lord Matsya and Vaivasvata Manu, but this verse functions as a direct devotional salutation to the Supreme as Mantra.
Pranava (Oṁ)ṚgvedaYajurvedaSāmavedaSvāhāSvadhāVaṣaṭkāra
MantraVedicYajnaStotraDharma

FAQs

Indirectly, it points to the Supreme as the Mantra-principle (Oṁ and the Vedas), implying that the cosmic order underlying creation and dissolution is grounded in sacred sound and Vedic revelation rather than a purely material cause.

It reinforces Vedic duty (yajña and daily recitation): a king or householder sustains dharma through offerings and Vedic observance—svāhā for deva-offerings and svadhā for ancestral rites—recognizing the Divine as present in the very formulas of ritual.

Ritually, it names the core liturgical utterances of sacrifice—svāhā, svadhā, and vaṣaṭ—showing that correct mantra-vāc (sacrificial speech) is central to yajña performance; the verse is primarily mantra/rite-focused rather than Vāstu-specific.