HomeMatsya PuranaAdh. 154Shloka 43
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Shloka 43

Matsya Purana — The Strategy to Defeat Tāraka: Pārvatī’s Birth

तन्त्रीत्रयलयोपेतं सिद्धगन्धर्वकिंनरैः सुरागम् उपधा नित्यं गीयते तस्य वेश्मसु //

tantrītrayalayopetaṃ siddhagandharvakiṃnaraiḥ surāgam upadhā nityaṃ gīyate tasya veśmasu //

In his mansions, music—set to the rhythm of the three-stringed vīṇā, melodious and well-tuned—is constantly sung, accompanied by Siddhas, Gandharvas, and Kiṃnaras.

तन्त्री (tantrī)string/instrument-string
तन्त्री (tantrī):
त्रय (traya)threefold/three
त्रय (traya):
लय (laya)rhythm/tempo
लय (laya):
उपेतम् (upetam)endowed with/possessed of
उपेतम् (upetam):
सिद्ध (siddha)perfected celestial being
सिद्ध (siddha):
गन्धर्व (gandharva)celestial musician
गन्धर्व (gandharva):
किंनर (kiṃnara)celestial singer/musician
किंनर (kiṃnara):
-ैः (-aiḥ)by/with (instrumental plural)
-ैः (-aiḥ):
सुरागम् (surāgam)sweetly melodious/well-rāga-set
सुरागम् (surāgam):
उपधा (upadhā)accompaniment/attendant musical support (likely ‘with accompaniment’)
उपधा (upadhā):
नित्यम् (nityam)always/constantly
नित्यम् (nityam):
गीयते (gīyate)is sung/is chanted
गीयते (gīyate):
तस्य (tasya)of him/his
तस्य (tasya):
वेश्मसु (veśmasu)in (his) houses/mansions.
वेश्मसु (veśmasu):
Lord Matsya (in discourse to Vaivasvata Manu, describing ideal/auspicious royal or noble household culture)
SiddhasGandharvasKiṃnaras
VastuvidyaHousehold CultureAuspiciousnessGandharva MusicRoyal Life

FAQs

It does not discuss Pralaya directly; instead, it depicts an auspicious, prosperity-marked residence where celestial-grade music is continually performed.

It implies that an ideal ruler/householder maintains a refined, dharmic, and auspicious domestic environment—where uplifting arts like properly tuned music flourish—signaling order, prosperity, and cultured governance.

Architecturally, the key marker is the ‘veśma’ (mansion/house) as a space designed for auspicious sound and cultured activity; ritually, continual harmonious music functions as a sign of well-being and sanctified domestic atmosphere.