HomeMatsya PuranaAdh. 153Shloka 19
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Shloka 19

Matsya Purana — The Slaying of Jambha and the Rise of Tāraka: Divine Battle Formations

कपाली पिङ्गलो भीमो विरूपाक्षो विलोहितः अजेशः शासनः शास्ता शंभुश्चण्डो ध्रुवस्तथा //

kapālī piṅgalo bhīmo virūpākṣo vilohitaḥ ajeśaḥ śāsanaḥ śāstā śaṃbhuścaṇḍo dhruvastathā //

He is Kapālī, the bearer of the skull; Piṅgala, tawny-hued; Bhīma, the formidable; Virūpākṣa, the odd-eyed; and Vilohita, the intensely red. He is Ajeśa, lord beyond birth; Śāsana, the sovereign command; Śāstā, the divine ruler and instructor; Śambhu, the beneficent one; Caṇḍa, the fierce; and Dhruva, the steadfast and immutable.

कपाली (kapālī)skull-bearer/ascetic with skull-bowl
कपाली (kapālī):
पिङ्गलः (piṅgalaḥ)tawny, reddish-brown, golden-hued
पिङ्गलः (piṅgalaḥ):
भीमः (bhīmaḥ)terrible, awe-inspiring
भीमः (bhīmaḥ):
विरूपाक्षः (virūpākṣaḥ)one with unusual/unequal eyes, epithet of Rudra
विरूपाक्षः (virūpākṣaḥ):
विलोहितः (vilohitaḥ)very red, crimson-hued
विलोहितः (vilohitaḥ):
अजेशः (ajeśaḥ)lord who is unborn/over birth, supreme
अजेशः (ajeśaḥ):
शासनः (śāsanaḥ)the one who rules by command, sovereign ordinance
शासनः (śāsanaḥ):
शास्ता (śāstā)ruler, governor, chastiser, teacher
शास्ता (śāstā):
शंभुः (śaṃbhuḥ)beneficent, auspicious giver of welfare
शंभुः (śaṃbhuḥ):
चण्डः (caṇḍaḥ)fierce, vehement
चण्डः (caṇḍaḥ):
ध्रुवः (dhruvaḥ)fixed, constant, immutable
ध्रुवः (dhruvaḥ):
तथा (tathā)and also/likewise.
तथा (tathā):
Lord Matsya (in the Matsya Purana’s dialogue framework) presenting a litany of Shiva’s epithets
ShivaRudraVirupakshaShambhu
Shiva SahasranamaRudra epithetsIconographyDevotional hymnPuranic theology

FAQs

By calling Shiva “Dhruva” (immutable) and “Śāsana/Śāstā” (cosmic ruler), the verse implies a deity who remains constant and governs cosmic order across cycles of creation and dissolution, though it does not narrate Pralaya directly.

The epithets “Śāsana” and “Śāstā” frame ideal governance: a king should uphold firm rule, discipline, and instruction rooted in dharma; a householder similarly maintains order and ethical restraint within family and ritual life.

Ritually, names like “Kapālī” and “Virūpākṣa” guide Shiva’s iconographic identification in worship and image-making (pratimā-lakṣaṇa): ascetic skull-bearing forms and distinctive eyes are markers used in temple rituals and consecration contexts.