HomeMatsya PuranaAdh. 174Shloka 12
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Shloka 12

Matsya Purana — The Array of the Gods: Description of the Vaiṣṇava Host and the Lokapālas

चतुर्भिः सागरैर्युक्तो लेलिहानैश्च पन्नगैः शङ्खमुक्ताङ्गदधरो बिभ्रत्तोयमयं वपुः //

caturbhiḥ sāgarairyukto lelihānaiśca pannagaiḥ śaṅkhamuktāṅgadadharo bibhrattoyamayaṃ vapuḥ //

Joined with the four oceans and surrounded by licking, serpentine nāgas, He bore the conch and pearl-ornaments and armlets—manifesting a body made of water itself.

चतुर्भिःwith four
चतुर्भिः:
सागरैःoceans
सागरैः:
युक्तःjoined/connected
युक्तः:
लेलिहानैःlicking (with flickering tongues)/lapping about
लेलिहानैः:
and
:
पन्नगैःby serpents, nāgas
पन्नगैः:
शङ्खconch
शङ्ख:
मुक्तpearls
मुक्त:
अङ्गदarmlets
अङ्गद:
धरः/धरोbearing/wearing
धरः/धरो:
बिभ्रत्carrying, holding
बिभ्रत्:
तोयमयम्consisting of water, water-formed
तोयमयम्:
वपुःbody, form
वपुः:
Sūta / Purāṇic narrator (describing Lord Matsya to the listening sages, within the Manu–Matsya deluge context)
Four Oceans (Catur-samudra)Nāgas (Pannagas)Śaṅkha (Conch)
PralayaMatsya AvataraIconographyCosmic WatersNāga symbolism

FAQs

It depicts the deluge-state cosmos as water-dominant: the Lord’s form is described as “water-made,” linked with the four oceans and encircled by nāgas, emphasizing dissolution into primordial waters under divine sovereignty.

Indirectly, it reinforces the Purāṇic ethic of seeking refuge in dharma and the divine during calamity: just as the Lord remains the stable protector amid cosmic flooding, rulers and householders are urged to uphold order, restraint, and devotion when society faces संकट (crisis).

The verse is primarily iconographic: it supports Vishnu/Matsya imagery marked by the śaṅkha and rich ornaments. In temple practice, such markers guide pratima-lakṣaṇa (icon identification) and ritual visualization of the deity amid the cosmic waters.