Matsya Purana — Skanda’s Consecration
विमानैश्चाद्भुताकारैश् चलितामरचामरैः तां भूषणनिबद्धां च किंनरोद्गतिनादिताम् //
vimānaiścādbhutākāraiś calitāmaracāmaraiḥ tāṃ bhūṣaṇanibaddhāṃ ca kiṃnarodgatināditām //
She was accompanied by wondrously formed aerial chariots (vimānas), while yak-tail fans (cāmaras) waved in motion; adorned and fastened with ornaments, she resounded with the music and calls raised by the Kinnaras.
This verse is not about Pralaya; it depicts celestial magnificence—vimānas, waving cāmaras, ornamentation, and kinnara music—used in the Purana to convey divine presence and auspiciousness.
Indirectly, it models ideals of śrī (splendor) and maṅgala (auspicious display): rulers and householders are encouraged in Purāṇic ethics to honor the divine and guests with orderly ceremony, cleanliness, music, and respectful attendants—without excess that violates dharma.
The verse highlights ritual aesthetics central to temple culture—processional imagery (vimāna), honorific fans (cāmara), and auspicious music (kinnara-gīta). Such elements inform how sacred festivals and icon-processions are envisioned in Purāṇic tradition.