HomeMatsya PuranaAdh. 159Shloka 35
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Shloka 35

Matsya Purana — Skanda’s Consecration

विमानैश्चाद्भुताकारैश् चलितामरचामरैः तां भूषणनिबद्धां च किंनरोद्गतिनादिताम् //

vimānaiścādbhutākāraiś calitāmaracāmaraiḥ tāṃ bhūṣaṇanibaddhāṃ ca kiṃnarodgatināditām //

She was accompanied by wondrously formed aerial chariots (vimānas), while yak-tail fans (cāmaras) waved in motion; adorned and fastened with ornaments, she resounded with the music and calls raised by the Kinnaras.

विमानैःwith aerial chariots/vimānas
विमानैः:
and
:
अद्भुत-आकारैःof marvelous forms
अद्भुत-आकारैः:
चलितmoving/waving
चलित:
अमर-चामरैःwith divine (celestial) cāmaras (yak-tail fans)
अमर-चामरैः:
ताम्her/that (feminine object)
ताम्:
भूषण-निबद्धाम्bound/fastened with ornaments, richly adorned
भूषण-निबद्धाम्:
and
:
किंनर-उद्गति-नादिताम्made resonant by the rising/emanating sounds (song, music, exclamations) of Kinnaras
किंनर-उद्गति-नादिताम्:
Suta (narrative description within the Matsya Purana’s discourse; not a direct utterance by Matsya to Manu in this verse)
VimanaAmara (celestials)Camara (yak-tail fan)Kinnara
IconographyDivine processionCelestial musicVimanaOrnamentation

FAQs

This verse is not about Pralaya; it depicts celestial magnificence—vimānas, waving cāmaras, ornamentation, and kinnara music—used in the Purana to convey divine presence and auspiciousness.

Indirectly, it models ideals of śrī (splendor) and maṅgala (auspicious display): rulers and householders are encouraged in Purāṇic ethics to honor the divine and guests with orderly ceremony, cleanliness, music, and respectful attendants—without excess that violates dharma.

The verse highlights ritual aesthetics central to temple culture—processional imagery (vimāna), honorific fans (cāmara), and auspicious music (kinnara-gīta). Such elements inform how sacred festivals and icon-processions are envisioned in Purāṇic tradition.