HomeMatsya PuranaAdh. 13Shloka 47
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Shloka 47

Matsya Purana — Lineage of the Pitṛs

कपालमोचने शुद्धिर् माता कायावरोहणे शङ्खोद्धारे ध्वनिर्नाम धृतिः पिण्डारके तथा //

kapālamocane śuddhir mātā kāyāvarohaṇe śaṅkhoddhāre dhvanirnāma dhṛtiḥ piṇḍārake tathā //

At Kapālamocana there is Śuddhi, purification; at Kāyāvarohaṇa the Mother Goddess abides. At Śaṅkhoddhāra, “Dhvani”—the sacred sound—is itself the name; and at Piṇḍāraka likewise dwells Dhṛti, steadfastness.

kapālamocaneat (the tirtha called) Kapālamocana
kapālamocane:
śuddhiḥpurification, cleansing
śuddhiḥ:
mātāthe Mother Goddess, Divine Mother
mātā:
kāyāvarohaṇeat (the tirtha called) Kāyāvarohaṇa
kāyāvarohaṇe:
śaṅkhoddhāreat (the tirtha called) Śaṅkhoddhāra
śaṅkhoddhāre:
dhvaniḥsound, sacred resonance
dhvaniḥ:
nāmaname, designation
nāma:
dhṛtiḥfirmness, fortitude, steadiness
dhṛtiḥ:
piṇḍārakeat (the tirtha called) Piṇḍāraka
piṇḍārake:
tathālikewise, in the same manner
tathā:
Sūta (narrating the Matsya Purana’s tirtha section in a puranic discourse style)
KapālamocanaKāyāvarohaṇaŚaṅkhoddhāraPiṇḍārakaMātā (Devī)Dhṛti (personified virtue)
TirthaPurificationDeviPilgrimageDharma

FAQs

This verse does not address Pralaya; it is a tirtha-mahātmya style listing that maps specific spiritual fruits (purity, divine presence, steadfastness) to named pilgrimage-sites.

It supports dharmic life through pilgrimage and ritual purification: a householder or king strengthens social-religious order by visiting tirthas, honoring Devī, and cultivating virtues like dhṛti (steadfast self-control).

The emphasis is ritual rather than architectural: Kapālamocana is linked with śuddhi (expiatory purification), and the naming of sites like Śaṅkhoddhāra with “dhvani” hints at sacred sound (mantra/śabda) as a defining ritual marker of a tirtha.