HomeMatsya PuranaAdh. 2Shloka 31
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Shloka 31

Matsya Purana — Intermediate Dissolution

तदन्तर्भगवानेष सूर्यः समभवत्पुरा आदित्यश्चादिभूतत्वाद् ब्रह्मा ब्रह्म पठन्न् अभूत् //

tadantarbhagavāneṣa sūryaḥ samabhavatpurā ādityaścādibhūtatvād brahmā brahma paṭhann abhūt //

From within that primordial principle, in ancient time, this Bhagavān—Sūrya—arose; and because Āditya is the primal source of beings, Brahmā came to be, reciting the Veda (the sacred Brahman).

tad-antarwithin that
tad-antar:
bhagavānthe divine Lord
bhagavān:
eṣathis
eṣa:
sūryaḥthe Sun
sūryaḥ:
samabhavatcame into being/arose
samabhavat:
purāformerly/in the beginning
purā:
ādityaḥthe solar deity (Āditya)
ādityaḥ:
caand
ca:
ādi-bhūtatvātbecause of being the original/primal element (source of beings)
ādi-bhūtatvāt:
brahmāBrahmā
brahmā:
brahmathe Veda/sacred utterance/Brahman
brahma:
paṭhanreciting/chanting
paṭhan:
abhūtbecame/was manifested
abhūt:
Sūta (narratorial voice, recounting cosmogony within the Matsya Purāṇa frame)
SūryaĀdityaBrahmāBrahma (Veda/Brahman)
CreationCosmogonySūryaBrahmāVedic Recitation

FAQs

It presents a sarga (creation) motif: from an earlier primordial state, Sūrya/Āditya manifests, and from that primal causality Brahmā appears, characterized by Vedic recitation—creation proceeding through divine emergence and sacred sound.

Indirectly, it grounds dharma in Vedic authority: Brahmā is portrayed as ‘reciting brahma’ (Veda), implying that social duties (rājadharma and gṛhastha-dharma) should be aligned with śruti-based order and disciplined recitation/learning.

Ritually, the verse emphasizes brahma-paṭhana (Vedic chanting) as a creative, ordering force—supporting the Purāṇic idea that rites, consecrations, and temple procedures are empowered by correct mantra and recitation rather than by material action alone.