HomeMatsya PuranaAdh. 161Shloka 80
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Shloka 80

Matsya Purana — Hiranyakashipu’s Boons

घटोदरो महापार्श्वः क्रथनः पिठरस्तथा विश्वरूपः सुरूपश्च स्वबलश्च महाबलः //

ghaṭodaro mahāpārśvaḥ krathanaḥ piṭharastathā viśvarūpaḥ surūpaśca svabalaśca mahābalaḥ //

“(He is) Ghaṭodara (the One with a pot-like, capacious belly), Mahāpārśva (of mighty flanks), Krathana (the Crusher), and Piṭhara (the Broad/Expansive); (He is) Viśvarūpa (whose form is the universe), Surūpa (of beautiful form), Svabala (self-powered), and Mahābala (of great strength).”

घटोदरः (ghaṭodaraḥ)one whose belly is like a pot, capacious/abundant
घटोदरः (ghaṭodaraḥ):
महापार्श्वः (mahāpārśvaḥ)one with great sides/flanks, mighty-bodied
महापार्श्वः (mahāpārśvaḥ):
क्रथनः (krathanaḥ)crusher, one who grinds down (evil/obstacles)
क्रथनः (krathanaḥ):
पिठरः (piṭharaḥ)broad, expansive, wide-spread
पिठरः (piṭharaḥ):
विश्वरूपः (viśvarūpaḥ)universal-formed, whose form contains all
विश्वरूपः (viśvarūpaḥ):
सुरूपः (surūpaḥ)beautiful-formed, well-shaped
सुरूपः (surūpaḥ):
स्वबलः (svabalaḥ)possessing strength of oneself, self-sustained power
स्वबलः (svabalaḥ):
महाबलः (mahābalaḥ)very powerful, of immense strength
महाबलः (mahābalaḥ):
Sūta (narrating a traditional list of divine epithets within the Matsya Purana’s discourse)
Viṣṇu (implied through epithets)Viśvarūpa (universal form)
IconographyDivine NamesStotraVishnuPratima Lakshana

FAQs

Indirectly, it presents the deity as Viśvarūpa—whose body encompasses the whole cosmos—implying sovereignty over cosmic manifestation and withdrawal, even though Pralaya is not explicitly described here.

By emphasizing the Lord’s self-sustained power (svabala) and supreme strength (mahābala), the verse supports a dharmic ideal: rulers and householders should cultivate steadiness, protection of others, and the capacity to overcome harm—mirroring divine guardianship.

As a set of epithets used in praise/identification, it can guide ritual recitation (nāma-japa, stotra) and iconographic contemplation—especially the idea of Viśvarūpa (cosmic form) when selecting themes for temple imagery or mural programs.