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Shloka 40

नलस्य बाहुकत्वेन ऋतुपर्णनगरप्रवेशः

Nala as Bāhuka enters Ṛtuparṇa’s city

किंशुकाशोकबकुलपुन्नागैरुपशोभितम्‌ । कर्णिकारधवप्लक्षै: सुपुष्पैरपशोभितम्‌,पलाश, अशोक, बकुल, पुन्नाग, कनेर, धव तथा प्लक्ष आदि सुन्दर फूलोंवाले वृक्षोंसे वह पर्वत सुशोभित हो रहा है

bṛhadaśva uvāca |

kiṃśukāśokabakula-punnāgair upaśobhitam |

karṇikāra-dhava-plakṣaiḥ supuṣpair apaśobhitam ||

That mountain was adorned with kiṃśuka and aśoka trees, with bakula and punnāga as well; it was further beautified by karṇikāra, dhava, and plakṣa trees, all bearing splendid blossoms.

किंशुकby/with kimshuka trees (flame-of-the-forest)
किंशुक:
Karana
TypeNoun
Rootकिंशुक
FormMasculine, Instrumental, Plural
अशोकby/with ashoka trees
अशोक:
Karana
TypeNoun
Rootअशोक
FormMasculine, Instrumental, Plural
बकुलby/with bakula trees
बकुल:
Karana
TypeNoun
Rootबकुल
FormMasculine, Instrumental, Plural
पुन्नागैःby/with punnaga trees
पुन्नागैः:
Karana
TypeNoun
Rootपुन्नाग
FormMasculine, Instrumental, Plural
उपशोभितम्adorned, beautified
उपशोभितम्:
Karma
TypeAdjective
Rootउप-शुभ्
FormNeuter, Nominative/Accusative, Singular
कर्णिकारby/with karnikara trees
कर्णिकार:
Karana
TypeNoun
Rootकर्णिकार
FormMasculine, Instrumental, Plural
धवby/with dhava trees
धव:
Karana
TypeNoun
Rootधव
FormMasculine, Instrumental, Plural
प्लक्षैःby/with plaksha trees
प्लक्षैः:
Karana
TypeNoun
Rootप्लक्ष
FormMasculine, Instrumental, Plural
सुपुष्पैःwith beautiful flowers / well-flowering
सुपुष्पैः:
Karana
TypeAdjective
Rootसु-पुष्प
FormMasculine, Instrumental, Plural
अपशोभितम्adorned, beautified
अपशोभितम्:
Karma
TypeAdjective
Rootअप-शुभ्
FormNeuter, Nominative/Accusative, Singular

बृहृदश्च उवाच

B
Bṛhadaśva
M
mountain
K
kiṃśuka tree
A
aśoka tree
B
bakula tree
P
punnāga tree
K
karṇikāra tree
D
dhava tree
P
plakṣa tree

Educational Q&A

The verse highlights the Mahābhārata’s ethical-aesthetic sensibility: even amid exile and hardship, attentiveness to the natural world cultivates steadiness, gratitude, and restraint—qualities supportive of dharma.

Bṛhadaśva is describing a mountain landscape in the forest, emphasizing how it is richly ornamented by various flowering trees, setting the scene and mood for the surrounding episode in Vana Parva.