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Shloka 22

Bhīṣma’s Admonition; Duryodhana’s Rājasūya Aspiration and the Proposal of a Vaiṣṇava-satra

गणैरप्सरसां चैव त्रिदशानां तथा55त्मजै: । विहारशील: क्रीडार्थ तेन तत्‌ संवृतं सर:,वे उन दिनों अप्सराओं तथा देवकुमारोंके साथ विभिन्न स्थानोंमें भ्रमण करते थे। उन्होंने स्वयं ही क्रीड़ाविहारके लिये उस सरोवरको सब ओरसे घेर लिया था

gaṇair apsarasāṃ caiva tridaśānāṃ tathātmajaiḥ | vihāraśīlaḥ krīḍārthaṃ tena tat saṃvṛtaṃ saraḥ ||

Vaiśampāyana said: Accompanied by groups of Apsarases and by the sons of the gods, he was ever inclined to recreation. For the sake of sport and pleasure, he had that lake enclosed on all sides.

गणैःwith groups
गणैः:
Karana
TypeNoun
Rootगण
FormMasculine, Instrumental, Plural
अप्सरसाम्of apsarases
अप्सरसाम्:
Sambandha
TypeNoun
Rootअप्सरस्
FormFeminine, Genitive, Plural
and
:
TypeIndeclinable
Root
एवindeed/just
एव:
TypeIndeclinable
Rootएव
त्रिदशानाम्of the gods (thirty)
त्रिदशानाम्:
Sambandha
TypeNoun
Rootत्रिदश
FormMasculine, Genitive, Plural
तथाlikewise/also
तथा:
TypeIndeclinable
Rootतथा
आत्मजैःwith sons (offspring)
आत्मजैः:
Karana
TypeNoun
Rootआत्मज
FormMasculine, Instrumental, Plural
विहारशीलःfond of roaming/sporting
विहारशीलः:
Karta
TypeAdjective
Rootविहारशील
FormMasculine, Nominative, Singular
क्रीडार्थम्for the purpose of play
क्रीडार्थम्:
Prayojana
TypeNoun
Rootक्रीडार्थ
FormMasculine, Accusative, Singular
तेनby him/thereby
तेन:
Karana
TypePronoun
Rootतद्
FormMasculine/Neuter, Instrumental, Singular
तत्that
तत्:
Karma
TypePronoun
Rootतद्
FormNeuter, Nominative, Singular
संवृतम्enclosed/surrounded
संवृतम्:
TypeVerb
Rootसम्-√वृ (वृणोति/वृ)
FormNeuter, Nominative, Singular, Past passive participle (क्त)
सरःlake
सरः:
Karma
TypeNoun
Rootसरस्
FormNeuter, Nominative, Singular

वैशम्पायन उवाच

V
Vaiśampāyana
A
Apsarases
T
Tridaśas (the gods)
D
Devakumāras (sons of the gods)
S
Saraḥ (the lake)

Educational Q&A

The verse highlights how power and privilege can turn shared natural spaces into exclusive arenas of pleasure. In the Mahābhārata’s ethical atmosphere, such enclosure for personal sport subtly contrasts with ideals of restraint and fair access, foreshadowing tensions that arise when desire overrides consideration for others.

Vaiśampāyana describes a figure who, together with Apsarases and divine youths, roams for enjoyment and has a particular lake surrounded on all sides so it becomes a private place for play and recreation.