नारायणीयमाख्यानम् (Nārāyaṇīyam Ākhyānam) — Nārada’s Return and Hymnic Consolidation
ट्रुमा: शाखाश्न मुमुचु: शिखराणि च पर्वता: । निर्घातशब्दैश्व गिरिहिमवान् दीर्यतीव ह,वृक्षोंने अपनी शाखाएँ अपने-आप तोड़कर गिरा दीं। पर्वतोंने अपने शिखर भंग कर दिये। वज्रपातके शब्दोंसे गिरिराज हिमालय विदीर्ण-सा होता जान पड़ता था
drumāḥ śākhāś ca mumucuḥ śikharāṇi ca parvatāḥ | nirghātaśabdaiś ca girir himavān dīryatīva ha ||
Bhishma said: The trees seemed to shed their branches of their own accord, and the mountains broke off their peaks. With the thunderous crash, the king of mountains—Himālaya—appeared as though it were being split apart. The scene conveyed an ominous, world-shaking portent, as if nature itself recoils before a grave turning of events.
भीष्म उवाच
When adharma or a momentous moral crisis reaches a peak, its consequences are not merely personal or political; the tradition portrays the whole world-order as trembling. The imagery teaches attentiveness to ethical gravity: actions that violate dharma reverberate through society and symbolically through nature.
Bhīṣma describes terrifying natural signs: trees drop branches, mountains lose their summits, and the Himālaya seems to crack amid thunderous crashes. These are presented as ominous portents accompanying or foretelling a major upheaval.