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Shloka 3

धर्मलक्षण-प्रश्नः (Marks and Sources of Dharma) | Chapter 251: Inquiry into the Definition of Dharma

अन्तरात्मकमाकाशं तन्मयं श्रोत्रमिन्द्रियम्‌ तस्य शब्दं गुणं विद्यान्मूर्तिशास्त्रविधानवित्‌,आकाश अवकाशस्वरूप है और श्रवणेन्द्रिय आकाशमय है। शरीर-शास्त्रके विधानको जाननेवाला मनुष्य शब्दको आकाशका गुण जाने

antarātmakam ākāśaṃ tanmayaṃ śrotram indriyam | tasya śabdaṃ guṇaṃ vidyān mūrtiśāstravidhānavit ||

Vyāsa said: “Space (ākāśa) is the inner self of all that gives room and pervasion; the organ of hearing is constituted of that very space. Therefore, one who understands the principles laid down in the science of embodied form should know ‘sound’ to be the specific quality of space.”

अन्तरात्मकम्having the inner self as its essence
अन्तरात्मकम्:
Karma
TypeAdjective
Rootअन्तरात्मन्
FormNeuter, Accusative, Singular
आकाशम्ether/space
आकाशम्:
Karma
TypeNoun
Rootआकाश
FormNeuter, Accusative, Singular
तत्that
तत्:
Karta
TypePronoun
Rootतद्
FormNeuter, Nominative, Singular
मयम्consisting of / made of
मयम्:
Karta
TypeAdjective
Rootमय
FormNeuter, Nominative, Singular
श्रोत्रम्ear (organ of hearing)
श्रोत्रम्:
Karta
TypeNoun
Rootश्रोत्र
FormNeuter, Nominative, Singular
इन्द्रियम्sense-organ
इन्द्रियम्:
Karta
TypeNoun
Rootइन्द्रिय
FormNeuter, Nominative, Singular
तस्यof that (of it)
तस्य:
Adhikarana
TypePronoun
Rootतद्
FormNeuter, Genitive, Singular
शब्दम्sound
शब्दम्:
Karma
TypeNoun
Rootशब्द
FormMasculine, Accusative, Singular
गुणम्quality/attribute
गुणम्:
Karma
TypeNoun
Rootगुण
FormMasculine, Accusative, Singular
विद्यात्should know
विद्यात्:
Kriya
TypeVerb
Rootविद्
FormOptative (Vidhi-lin), 3rd, Singular, Parasmaipada
मूर्तिशास्त्रविधानवित्knower of the prescriptions of the śāstra concerning embodied form
मूर्तिशास्त्रविधानवित्:
Karta
TypeNoun
Rootवित्
FormMasculine, Nominative, Singular

व्यास उवाच

V
Vyāsa
Ā
ākāśa (space/ether)
Ś
śrotrendriya (organ of hearing)
Ś
śabda (sound)

Educational Q&A

The verse teaches an elemental correspondence: the sense of hearing arises from ākāśa (space), and sound (śabda) is the defining quality (guṇa) of ākāśa. This supports a disciplined understanding of the body and perception as structured by the mahābhūtas, aiding detachment and self-knowledge.

In the didactic discourse of Śānti Parva, Vyāsa explains metaphysical principles about the elements and the senses. Here he identifies ākāśa as the basis of the auditory faculty and establishes sound as its characteristic property, as part of a systematic teaching on embodied existence.