Shloka 125

हाहाकृतमभूत्‌ सर्व स्थावरं जड़म॑ तथा | चराचरस्य गोप्तारौ दृष्टवा संछादितौ शरै:,चराचर जगत्‌की रक्षा करनेवाले उन दोनों वीरोंको बाणोंसे आच्छादित हुआ देख स्थावर-जंगम समस्त प्राणी हाहाकार कर उठे

hāhākṛtam abhūt sarvaṃ sthāvaraṃ jaḍaṃ tathā | carācarasya goptārau dṛṣṭvā saṃchāditau śaraiḥ ||

Sañjaya said: Seeing those two heroes—guardians of the moving and the unmoving world—covered over with arrows, all beings, both stationary and moving, were struck with alarm and raised a great cry of distress. The scene signals how the fall or wounding of righteous protectors in war is felt as a moral shock to the whole order of life.

हाहाalas! (cry of distress)
हाहा:
TypeIndeclinable
Rootहाहा
कृतम्a making; an act (here: a cry/uproar made)
कृतम्:
Karta
TypeNoun
Rootकृ
FormNeuter, Nominative, Singular
अभूत्was; arose
अभूत्:
TypeVerb
Rootभू
FormImperfect (Lan), 3rd, Singular
सर्वम्all; entire
सर्वम्:
Karta
TypeAdjective
Rootसर्व
FormNeuter, Nominative, Singular
स्थावरम्the immobile (beings)
स्थावरम्:
Karta
TypeNoun
Rootस्थावर
FormNeuter, Nominative, Singular
जङ्गमम्the mobile (beings)
जङ्गमम्:
Karta
TypeNoun
Rootजङ्गम
FormNeuter, Nominative, Singular
तथाand also; likewise
तथा:
TypeIndeclinable
Rootतथा
चराचरस्यof the moving-and-unmoving (world)
चराचरस्य:
TypeNoun
Rootचराचर
FormNeuter, Genitive, Singular
गोप्तारौthe two protectors
गोप्तारौ:
Karta
TypeNoun
Rootगोप्तृ
FormMasculine, Nominative, Dual
दृष्ट्वाhaving seen
दृष्ट्वा:
TypeVerb
Rootदृश्
FormAbsolutive (Gerund), Parasmaipada (usage-neutral here)
संछादितौcovered; concealed
संछादितौ:
Karma
TypeAdjective
Rootसम्-छद्
FormMasculine, Accusative, Dual
शरैःwith arrows
शरैः:
Karana
TypeNoun
Rootशर
FormMasculine, Instrumental, Plural

संजय उवाच

S
Sañjaya
T
the two protectors/guardians (goptārau)
A
arrows (śara)

Educational Q&A

When those who function as ‘protectors’ of society and order are grievously struck, the harm is not merely personal—it reverberates through the whole world of beings. The verse frames battlefield injury as a disturbance of dharmic stability, eliciting collective moral anguish.

Sañjaya describes a moment on the battlefield where two great warriors—portrayed as guardians of the world—are seen covered with arrows. This sight causes universal panic and lamentation among all creatures, both stationary and moving.