ऋक्षचर्मावनद्धाड़ं नल्वमात्रं महारथम् | उसके रथमें सैकड़ों क्षुद्र घण्टिकाओंका मधुर घोष होता था। उसपर लाल रंगकी ध्वजा-पताका फहरा रही थी। उस रथके सम्पूर्ण अंगोंपर रीछकी खाल मढ़ी गयी थी। वह विशाल रथ चारों ओरसे चार सौ हाथ लंबा था
sañjaya uvāca | ṛkṣacarmāvanaddhāḍyaṃ nalvamātraṃ mahāratham | tasya rathe śatāni kṣudraghaṇṭikānāṃ madhuro ghoṣo bhavati sma | tasmin rakte dhvajā-patāke praphullite | tasya rathasya sarvāṅgeṣu ṛkṣacarmāṇi pariveṣṭitāni | sa mahārathaś caturdiśaṃ catuḥśatahastapramāṇaḥ paritaḥ ||
Sañjaya said: “That great chariot—richly covered with bearskin—was of immense build. From it arose a sweet, ringing sound from hundreds of small bells. A red banner streamed upon it. Every part of the chariot was sheathed in bearskin, and the vast car measured four hundred cubits all around.”
संजय उवाच
The verse is primarily descriptive rather than doctrinal: it highlights how war magnifies external splendor—sound, color, and ornament—around instruments of violence. In ethical terms, it invites reflection on how grandeur and sensory allure can mask the destructive purpose of battle.
Sañjaya is describing a particular enormous chariot on the battlefield: it is wrapped in bearskin, fitted with many small bells producing a sweet sound, and marked by a red banner, emphasizing the formidable and striking presence of its rider’s war-car.