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Shloka 11

अध्याय १४८ — कर्णप्रभावः, धृष्टद्युम्नस्य विरथता, तथा घटोत्कच-आह्वानम्

Chapter 148: Karṇa’s Pressure, Dhṛṣṭadyumna Unhorsed, and the Summoning of Ghaṭotkaca

ततो दिव्यास्त्रविदुषा प्रहिता: सायकांशव:,प्रलीनमीनमकरं सागराम्भ इवाभवत्‌ | संजय कहते हैं--राजन्‌! उस समय अर्जुनके द्वारा खींचे जानेवाले गाण्डीव धनुषकी अत्यन्त भयंकर टंकार यमराजकी सुस्पष्ट गर्जना तथा इन्द्रके वज्रकी गड़गड़ाहटके समान जान पड़ती थी। उसे सुनकर आपकी सेना भयसे उद्विग्न हो बड़ी घबराहटमें पड़ गयी। उस समय उसकी दशा प्रलयकालकी आँधीसे क्षोभको प्राप्त एवं उत्ताल तरंगोंसे परिपूर्ण हुए उस महासागरके जलकी-सी हो गयी, जिसमें मछली और मगर आदि जलजन्तु छिप जाते हैं

tato divyāstraviduṣā prahitāḥ sāyakāṃśavaḥ, pralīnamīnamakaraṃ sāgarāmbha ivābhavat |

Sañjaya said: Then, the volleys of arrows released by the master of celestial weapons made the battlefield seem like the ocean at the time of dissolution—its waters churning so violently that fish and crocodiles vanish into hiding.

ततःthen, thereafter
ततः:
TypeIndeclinable
Rootततः
दिव्यdivine
दिव्य:
TypeAdjective
Rootदिव्य
FormMasculine, Nominative, Plural
अस्त्रविदुषाby the knower of weapons
अस्त्रविदुषा:
Karana
TypeNoun
Rootअस्त्रविद्
FormMasculine, Instrumental, Singular
प्रहिताःsent, discharged
प्रहिताः:
TypeAdjective
Rootप्र-हिता
FormMasculine, Nominative, Plural
सायकांशवःrays/streams of arrows
सायकांशवः:
Karta
TypeNoun
Rootसायकांशु
FormMasculine, Nominative, Plural
प्रलीनsubmerged, hidden
प्रलीन:
TypeAdjective
Rootप्र-लीन
FormNeuter, Accusative, Singular
मीनमकरम्fish and makaras (sea-creatures)
मीनमकरम्:
TypeNoun
Rootमीनमकर
FormNeuter, Accusative, Singular
सागराम्भःocean-water
सागराम्भः:
Karta
TypeNoun
Rootसागराम्भस्
FormNeuter, Nominative, Singular
इवlike, as
इव:
TypeIndeclinable
Rootइव
अभवत्became, was
अभवत्:
TypeVerb
Rootभू
FormImperfect (Lan), 3rd, Singular

संजय उवाच

S
Sañjaya
A
Arjuna
D
divyāstra (celestial weapons)
S
sāyaka (arrows)
S
sāgara (ocean)
M
mīna (fish)
M
makara (crocodile/sea-creature)

Educational Q&A

The verse highlights how mastery (vidyā) and disciplined execution in one’s duty can decisively shape outcomes: Arjuna’s expert use of weapons creates overwhelming pressure, causing the opposing force to lose composure. Ethically, it reflects the Mahābhārata’s recurring theme that in war, psychological collapse often follows from superior skill and resolve.

Sañjaya describes Arjuna unleashing dense volleys of arrows with celestial-weapon expertise. The scene is compared to a pralaya-like ocean where aquatic creatures hide—an image for the enemy army’s terror and disarray under Arjuna’s onslaught.