Shloka 19
Trikūṭa Mountain, Ṛtumat Garden, and the Beginning of Gajendra’s Crisis
८.२.१४-१९ बिल्वै: कपित्थैर्जम्बीरैर्वृतो भल्लातकादिभि: । तस्मिन्सर: सुविपुलं लसत्काञ्चनपङ्कजम् ॥ १४ ॥ कुमुदोत्पलकह्लारशतपत्रश्रियोर्जितम् । मत्तषट्पदनिर्घुष्टं शकुन्तैश्च कलस्वनै: ॥ १५ ॥ हंसकारण्डवाकीर्णं चक्राह्वै: सारसैरपि । जलकुक्कुटकोयष्टिदात्यूहकुलकूजितम् ॥ १६ ॥ मत्स्यकच्छपसञ्चारचलत्पद्मरज:पय: । कदम्बवेतसनलनीपवञ्जुलकैर्वृतम् ॥ १७ ॥ कुन्दै: कुरुबकाशोकै: शिरीषै: कूटजेङ्गुदै: । कुब्जकै: स्वर्णयूथीभिर्नागपुन्नागजातिभि: ॥ १८ ॥ मल्लिकाशतपत्रैश्च माधवीजालकादिभि: । शोभितं तीरजैश्चान्यैर्नित्यर्तुभिरलं द्रुमै: ॥ १९ ॥
bilvaiḥ kapitthair jambīrair vṛto bhallātakādibhiḥ tasmin saraḥ suvipulaṁ lasat-kāñcana-paṅkajam
The lake and its banks were adorned with mallikā and śatapatra, and with creepers such as mādhavī and jālakā. The shores were further graced by many trees that, as if in an eternal season, bore flowers and fruits at all times. Thus the entire mountain shone in splendid beauty.
Judging from the exhaustive description of the lakes and rivers on Trikūṭa Mountain, on earth there is no comparison to their superexcellence. On other planets, however, there are many such wonders. For instance, we understand that there are two million different types of trees, and not all of them are exhibited on earth. Śrīmad-Bhāgavatam presents the total knowledge of the affairs of the universe. It not only describes this universe, but also takes into account the spiritual world beyond the universe. No one can challenge the Śrīmad-Bhāgavatam’s descriptions of the material and spiritual worlds. The attempts to go from the earth to the moon have failed, but the people of earth can understand what exists on other planets. There is no need of imagination; one may take actual knowledge from Śrīmad-Bhāgavatam and be satisfied.
FAQs
These verses describe a vast, radiant lake filled with golden lotuses, humming bees, melodious birds, and lush trees and creepers on every bank—setting the scene for Gajendra’s later crisis and surrender.
Śukadeva establishes the setting: Gajendra lives in a seemingly ideal, abundant place, showing that even in prosperity and beauty, danger can arise—prompting the soul to seek refuge in the Lord.
Appreciate nature as Bhagavān’s artistry without becoming complacent; comfort and beauty are not guarantees of safety, so cultivate remembrance of God and readiness to take shelter when trials appear.