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Agni Purana — Yoga & Brahma-vidya, Shloka 34

Chapter 373 — ध्यानम्

Dhyāna / Meditation

जपयज्ञस्य वै यज्ञाः कलां नार्हन्ति षोडशीं जपिनं नोपसर्पन्ति व्याधयश्चाधयो ग्रहाः भुक्तिर्मुर्क्तिर्मृत्युजयो जपेन प्राप्नुयात् फलं

japayajñasya vai yajñāḥ kalāṃ nārhanti ṣoḍaśīṃ japinaṃ nopasarpanti vyādhayaścādhayo grahāḥ bhuktirmurktirmṛtyujayo japena prāpnuyāt phalaṃ

Indeed, other sacrifices do not equal even a sixteenth part of the sacrifice of japa (mantra-repetition). Diseases, mental afflictions, and harmful planetary influences do not approach the practitioner of japa. Through japa one attains worldly enjoyment and prosperity, liberation (mukti), and victory over death—this is its fruit.

japa-yajñasyaof the japa-sacrifice
japa-yajñasya:
Sambandha (सम्बन्ध/Genitive relation)
TypeNoun
Rootjapa (प्रातिपदिक) + yajña (प्रातिपदिक)
FormMasculine, Genitive (6th/षष्ठी), Singular; षष्ठी-तत्पुरुषः (japa-yajña = 'sacrifice in the form of japa')
vaiindeed
vai:
Sambandha (सम्बन्ध/Discourse particle)
TypeIndeclinable
Rootvai (अव्यय)
FormParticle (निपात) for emphasis/indeed
yajñāḥsacrifices
yajñāḥ:
Karta (कर्ता/Subject)
TypeNoun
Rootyajña (प्रातिपदिक)
FormMasculine, Nominative (1st/प्रथमा), Plural
kalāma part; a fraction
kalām:
Karma (कर्म/Object)
TypeNoun
Rootkalā (प्रातिपदिक)
FormFeminine, Accusative (2nd/द्वितीया), Singular
nanot
na:
Sambandha (सम्बन्ध/Negation)
TypeIndeclinable
Rootna (अव्यय)
FormNegation particle (निषेध-निपात)
arhantiare worthy of / equal
arhanti:
Kriya (क्रिया/Verb)
TypeVerb
Rootarh (धातु)
FormPresent tense (लट्), Parasmaipada, 3rd person (प्रथमपुरुष), Plural; 'are worthy/are equal to'
ṣoḍaśīmthe sixteenth part
ṣoḍaśīm:
Karma (कर्म/Object; apposition to kalām)
TypeNoun
Rootṣoḍaśī (प्रातिपदिक)
FormFeminine, Accusative (2nd/द्वितीया), Singular; 'sixteenth (part)'
japinamthe one who practices japa
japinam:
Karma (कर्म/Object)
TypeNoun
Rootjapin (प्रातिपदिक)
FormMasculine, Accusative (2nd/द्वितीया), Singular
nanot
na:
Sambandha (सम्बन्ध/Negation)
TypeIndeclinable
Rootna (अव्यय)
FormNegation particle (निषेध-निपात)
upasarpantiapproach; come near
upasarpanti:
Kriya (क्रिया/Verb)
TypeVerb
Rootupa-sṛp (धातु)
FormPresent tense (लट्), Parasmaipada, 3rd person (प्रथमपुरुष), Plural; with उपसर्ग upa-
vyādhayaḥdiseases
vyādhayaḥ:
Karta (कर्ता/Subject)
TypeNoun
Rootvyādhi (प्रातिपदिक)
FormMasculine, Nominative (1st/प्रथमा), Plural
caand
ca:
Sambandha (सम्बन्ध/Connector)
TypeIndeclinable
Rootca (अव्यय)
FormConjunction (समुच्चय)
ādhayaḥmental afflictions; anxieties
ādhayaḥ:
Karta (कर्ता/Subject; coordinated)
TypeNoun
Rootādhi (प्रातिपदिक)
FormMasculine, Nominative (1st/प्रथमा), Plural
grahāḥseizing spirits/planets (afflictions)
grahāḥ:
Karta (कर्ता/Subject; coordinated)
TypeNoun
Rootgraha (प्रातिपदिक)
FormMasculine, Nominative (1st/प्रथमा), Plural
bhuktiḥenjoyment; worldly fruition
bhuktiḥ:
Karta (कर्ता/Subject; nominal list)
TypeNoun
Rootbhukti (प्रातिपदिक)
FormFeminine, Nominative (1st/प्रथमा), Singular
muktiḥliberation
muktiḥ:
Karta (कर्ता/Subject; nominal list)
TypeNoun
Rootmukti (प्रातिपदिक)
FormFeminine, Nominative (1st/प्रथमा), Singular; (IAST has murkti-, emended to muktiḥ)
mṛtyu-jayaḥconquest of death
mṛtyu-jayaḥ:
Karta (कर्ता/Subject; nominal list)
TypeNoun
Rootmṛtyu (प्रातिपदिक) + jaya (प्रातिपदिक)
FormMasculine, Nominative (1st/प्रथमा), Singular; षष्ठी-तत्पुरुषः ('victory over death')
japenaby japa
japena:
Karana (करण/Instrument)
TypeNoun
Rootjapa (प्रातिपदिक)
FormMasculine, Instrumental (3rd/तृतीया), Singular
prāpnuyātmay obtain
prāpnuyāt:
Kriya (क्रिया/Verb)
TypeVerb
Rootpra-āp (धातु)
FormOptative (विधिलिङ्), Parasmaipada, 3rd person (प्रथमपुरुष), Singular; with उपसर्ग pra-
phalamfruit; result
phalam:
Karma (कर्म/Object)
TypeNoun
Rootphala (प्रातिपदिक)
FormNeuter, Accusative (2nd/द्वितीया), Singular

Lord Agni (narrating to Sage Vasiṣṭha)

Vidya Category: {"primary_vidya":"Mantra","secondary_vidya":"Tantra","practical_application":"Daily mantra-japa as a self-contained yajña for protection (vyādhi/ādhi/graha-śānti) and for attaining bhukti–mukti aims.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"Description","entry_title":"Japa-yajña Mahimā (Superiority and Fruits of Mantra-Repetition)","lookup_keywords":["japa-yajña","vyādhi-ādhi","graha-doṣa","bhukti-mukti","mṛtyu-jaya"],"quick_summary":"Japa is declared superior to other sacrifices and functions as a protective and liberative discipline. Regular japa is said to ward off disease, mental distress, and adverse graha influences, yielding prosperity, liberation, and ‘victory over death’."}

Alamkara Type: Atiśayokti (hyperbolic exaltation) with Artha-antaranyāsa (reasoning by stating fruits)

Concept: Mantra-japa as an independent yajña that purifies, protects, and leads to bhukti–mukti, culminating in mṛtyu-jaya (transcending fear of death/attaining longevity and spiritual conquest).

Application: Frame japa as daily ‘inner sacrifice’: fixed seat, fixed time, regulated breath, attentive repetition, and dedication of merit.

Khanda Section: Mantra-japa and Japa-yajña (Ritual/Upāsanā-Vidhi)

Primary Rasa: Shanta

Secondary Rasa: Adbhuta

Visual Art Cues: {"scene_description":"A solitary sādhaka seated in padmāsana with japa-mālā, a small homa-kunda nearby symbolizing ‘japa as yajña’; around him, personified Vyādhi, Ādhi, and Grahas retreating; a subtle aura of protection and liberation.","kerala_mural_prompt":"Kerala temple mural style, flat vivid colors, ornate borders; yogi with rudrākṣa mālā before a small sacred fire; personified grahas and disease-demons turning away; serene Vishnu/Hari presence as protective halo; traditional stylized foliage and lamps.","tanjore_prompt":"Tanjore painting with gold leaf; central seated japa-yogin with mālā, small yajña fire; gold embossed aura; miniature graha-deities at the margins subdued; rich textiles, temple arch frame, devotional stillness.","mysore_prompt":"Mysore painting style, delicate linework and soft shading; instructional composition showing japa posture, mālā handling, and a symbolic ‘sixteenth part’ scale comparing yajñas; calm background with retreating afflictions.","mughal_miniature_prompt":"Mughal miniature, fine detailing; a saint in a garden pavilion doing japa; allegorical figures labeled Vyādhi/Ādhi/Graha departing; subtle celestial light indicating bhukti–mukti; intricate flora and patterned carpet."}

Audio Atmosphere: {"recitation_mood":"devotional","suggested_raga":"Bhairavi","pace":"medium","voice_tone":"devotional"}

Sandhi Resolution Notes: japayajñasya = japa+yajñasya (tatpuruṣa); nārhanti = na+arhanti; nopasarpanti = na+upasarpanti; vyādhayaścādhayo = vyādhayaḥ+ca+ādhayaḥ; bhuktirmuktir = bhuktiḥ+muktiḥ; mṛtyujayo = mṛtyu+jayaḥ.

Related Themes: Agni Purana: Mantra-japa and japa-yajña sections (adjacent adhyāyas around 373–374); Agni Purana: Graha-śānti/daiva-prāyaścitta style passages elsewhere

J
Japa-yajña
Y
Yajña
G
Graha (planetary influences)

FAQs

It teaches the hierarchy of rites by declaring japa-yajña superior to other yajñas and specifies its practical outcomes: protection from disease, mental affliction, and graha-related disturbances.

It links ritual practice (japa) with multiple domains—health (vyādhi), psychology (ādhi), and astrology (graha)—showing how the text integrates spiritual discipline with applied, life-oriented concerns.

It frames sustained mantra-repetition as a high-merit practice capable of granting both worldly fulfillment (bhukti) and ultimate liberation (mukti), culminating in the ideal of transcending death (mṛtyu-jaya).