Agni Purana — Ayurveda, Shloka 8
अश्ववाहनसारः
Aśvavāhana-sāra) — Essentials of Horses as Mounts (and Horse-Treatment
प्रणवादिनमोन्तेन स्ववीजेन यथाक्रमम् ब्रह्मा चित्ते वले विष्णुर्वैनतेयः पराक्रमे
praṇavādinamontena svavījena yathākramam brahmā citte vale viṣṇurvainateyaḥ parākrame
Beginning with the Pranava (Oṁ) and ending with the salutation formula (namaḥ), and employing one’s own seed-syllable (bīja) in the prescribed order: install Brahmā in the mind; Viṣṇu in strength; and Vainateya (Garuḍa) in valor.
Lord Agni (teaching ritual/mantra procedure in the Agni Purana discourse)
Vidya Category: {"primary_vidya":"Tantra","secondary_vidya":"Mantra","practical_application":"Nyāsa mapping of deities to psycho-physical faculties using praṇava, namaḥ, and personal bīja: a structured internalization practice for empowerment and protection.","sutra_style":true}
Encyclopedic Reference: {"reference_type":"Procedure","entry_title":"Devatā-nyāsa with praṇava–namaḥ and svabīja","lookup_keywords":["nyasa","pranava","namah","bija","Brahma Vishnu Garuda"],"quick_summary":"Perform nyāsa beginning with Oṁ and ending with namaḥ, inserting one’s bīja as prescribed. Install Brahmā in mind, Viṣṇu in strength, and Garuḍa in valor to align cognition, power, and courage."}
Concept: Mantra is operationalized through ordered nyāsa: divinity is internalized as functional capacities (mind, strength, valor).
Application: Use structured visualization + mantra to stabilize attention (citta), cultivate steadiness (bala), and summon courage (parākrama) before demanding tasks.
Khanda Section: Mantra-vidhi & Tantric Nyasa (Ritual placement of deities/powers in the body)
Primary Rasa: adbhuta
Secondary Rasa: shanta
Visual Art Cues: {"scene_description":"A sādhaka performs nyāsa: touching head/heart/arms while visualizing Brahmā in the mind-lotus, Viṣṇu as protective strength, and Garuḍa as fiery valor; syllables Oṁ…namaḥ appear as sacred script.","kerala_mural_prompt":"Kerala mural, seated sādhaka with stylized lotuses at head and chest, faint forms of Brahmā, Viṣṇu, and Garuḍa superimposed, bold sacred syllables in decorative script, warm temple colors.","tanjore_prompt":"Tanjore, iconic Viṣṇu and Garuḍa motifs with gold leaf, sādhaka in foreground performing mudrās, embossed Oṁ and namaḥ, rich ornamentation and halo effects.","mysore_prompt":"Mysore style, clean didactic layout: three labeled placements (citta, bala, parākrama), subtle deity silhouettes, elegant linework and soft palette.","mughal_miniature_prompt":"Mughal miniature, intimate interior with a yogin, translucent deity forms within aura, fine calligraphy of Oṁ and namaḥ, delicate textiles and subdued gold."}
Audio Atmosphere: {"recitation_mood":"contemplative","suggested_raga":"Yaman","pace":"slow","voice_tone":"devotional"}
Sandhi Resolution Notes: praṇavādinamontena = praṇava-ādi-namas-antena (orthography 'namo' for 'namas'); viṣṇurvainateyaḥ = viṣṇuḥ vainateyaḥ.
Related Themes: Agni Purana: Mantra-vidhi and nyāsa prakaraṇas; astra-mantra sections that require aṅga/karanyāsa
FAQs
It teaches a nyāsa-style rule: construct the mantra with Oṁ at the start and namaḥ at the end, add the practitioner’s bīja, and mentally ‘install’ specific deities into faculties—Brahmā in the mind, Viṣṇu in strength, and Garuḍa in valor.
It exemplifies the Agni Purana’s practical ritual manuals: alongside mythology and dharma, it preserves precise, stepwise tantric-pūjā technologies (mantra formation and nyāsa mapping of divinities onto psycho-physical powers).
By sanctifying mind, vitality, and courage through deity-installation and mantra order, the rite is framed as purificatory and protective—aligning inner faculties with divine powers to support disciplined action and spiritual steadiness.