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Agni Purana — Agneya-vidya, Shloka 20

The Description of the Sarvatobhadra Maṇḍala (सर्वतोभद्रमण्डलकथनम्)

एका पङ्क्तिः प्राभ्यां तु द्वारशोभादि पूर्ववत् द्वादशाङ्गुलिभिः पद्ममेकहस्ते तु मण्डले शमीपत्रादिकैः श्यामं वीजानां लक्षजाप्यतः चतुर्लक्षैस्तु मन्त्राणां विद्यानां लक्षसाधनम्

ekā paṅktiḥ prābhyāṃ tu dvāraśobhādi pūrvavat dvādaśāṅgulibhiḥ padmamekahaste tu maṇḍale śamīpatrādikaiḥ śyāmaṃ vījānāṃ lakṣajāpyataḥ caturlakṣaistu mantrāṇāṃ vidyānāṃ lakṣasādhanam

One row of decorative design should be made in front; and the door-ornamentation and related features are to be arranged as previously described. In the maṇḍala, a lotus measuring twelve aṅgulas should be drawn within a space of one hasta. It should be colored dark (śyāma) using śamī leaves and similar materials. The seed-syllables (bīja) are to be repeated one lakh (100,000) times; mantras are perfected by four lakhs (400,000) repetitions; and a vidyā is accomplished by one lakh repetitions.

ekāone
ekā:
Visheshana (विशेषण)
TypeAdjective
Rooteka (प्रातिपदिक/संख्या)
Formस्त्रीलिङ्ग, प्रथमा, एकवचन
paṅktiḥrow/line
paṅktiḥ:
Karta (कर्ता)
TypeNoun
Rootpaṅkti (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, एकवचन
prābhyāmwith the two prā (technical measure)
prābhyām:
Karana (करण)
TypeNoun
Rootprā (प्रातिपदिक)
Formस्त्रीलिङ्ग, तृतीया, द्विवचन (dual; context uncertain—likely ‘with the two prā (measures/sides)’ as technical term)
tuindeed
tu:
Sambandha (सम्बन्ध)
TypeIndeclinable
Roottu (अव्यय)
Formअव्यय, निपात
dvāra-śobhā-ādidoor-ornamentation etc.
dvāra-śobhā-ādi:
Karma (कर्म)
TypeNoun
Rootdvāra + śobhā + ādi (प्रातिपदिक)
Formसमास: तत्पुरुष ‘door-decoration etc.’; नपुंसकलिङ्ग, प्रथमा/द्वितीया, एकवचन (collective)
pūrvavatas previously
pūrvavat:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootpūrvavat (अव्यय)
Formअव्यय, तुल्यविधिवाचक ‘as before’
dvādaśa-aṅgulibhiḥby twelve finger-breadths
dvādaśa-aṅgulibhiḥ:
Karana (करण)
TypeNoun
Rootdvādaśa + aṅguli (प्रातिपदिक)
Formसमास: द्विगु ‘twelve-finger(-measure)’; स्त्रीलिङ्ग (aṅguli), तृतीया, बहुवचन
padmamlotus (design)
padmam:
Karma (कर्म)
TypeNoun
Rootpadma (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया, एकवचन
eka-hastein one-hasta measure
eka-haste:
Adhikarana (अधिकरण)
TypeNoun
Rooteka + hasta (प्रातिपदिक)
Formसमास: द्विगु ‘one-hand (measure)’; पुंलिङ्ग, सप्तमी, एकवचन
tuindeed
tu:
Sambandha (सम्बन्ध)
TypeIndeclinable
Roottu (अव्यय)
Formअव्यय, निपात
maṇḍalein the maṇḍala
maṇḍale:
Adhikarana (अधिकरण)
TypeNoun
Rootmaṇḍala (प्रातिपदिक)
Formनपुंसकलिङ्ग, सप्तमी, एकवचन
śamī-patra-ādikaiḥwith śamī leaves etc.
śamī-patra-ādikaiḥ:
Karana (करण)
TypeNoun
Rootśamī + patra + ādi (प्रातिपदिक)
Formसमास: तत्पुरुष ‘śamī-leaves etc.’; नपुंसकलिङ्ग, तृतीया, बहुवचन
śyāmamdark-colored
śyāmam:
Karma (कर्म)
TypeAdjective
Rootśyāma (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया, एकवचन (color-result)
vījānāmof seed-syllables (bīja-mantras)
vījānām:
Sambandha (सम्बन्ध)
TypeNoun
Rootvīja (प्रातिपदिक)
Formनपुंसकलिङ्ग, षष्ठी, बहुवचन
lakṣa-jāpyataḥby one-lakh repetitions (japa)
lakṣa-jāpyataḥ:
Karana (करण)
TypeIndeclinable
Rootlakṣa + jāpya (प्रातिपदिक) + tas (तसिल्)
Formसमास: तत्पुरुष ‘japa to the extent of a lakh’; तसिल्-प्रत्ययान्त अव्यय ‘by/through (doing) one-lakh repetitions’
catur-lakṣaiḥby four lakhs (repetitions)
catur-lakṣaiḥ:
Karana (करण)
TypeNoun
Rootcatur + lakṣa (प्रातिपदिक)
Formसमास: द्विगु ‘four lakhs’; पुं/नपुंसकलिङ्ग, तृतीया, बहुवचन (instrumental plural used for count/measure)
tuindeed
tu:
Sambandha (सम्बन्ध)
TypeIndeclinable
Roottu (अव्यय)
Formअव्यय, निपात
mantrāṇāmof mantras
mantrāṇām:
Sambandha (सम्बन्ध)
TypeNoun
Rootmantra (प्रातिपदिक)
Formपुंलिङ्ग, षष्ठी, बहुवचन
vidyānāmof vidyās (mantric sciences)
vidyānām:
Sambandha (सम्बन्ध)
TypeNoun
Rootvidyā (प्रातिपदिक)
Formस्त्रीलिङ्ग, षष्ठी, बहुवचन
lakṣa-sādhanamthe one-lakh accomplishment (quota)
lakṣa-sādhanam:
Karta (कर्ता)
TypeNoun
Rootlakṣa + sādhana (प्रातिपदिक)
Formसमास: तत्पुरुष ‘lakh-accomplishment (quota)’; नपुंसकलिङ्ग, प्रथमा/द्वितीया, एकवचन

Lord Agni (instructing the sage Vasiṣṭha in the Agni Purāṇa’s ritual-technical discourse)

Vidya Category: {"primary_vidya":"Mantra","secondary_vidya":"Tantra","practical_application":"Standard measurements for lotus-in-mandala drawing and practical japa counts for bīja, mantra, and vidyā siddhi.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"Procedure","entry_title":"Maṇḍala-padma-māna & japa-saṅkhyā (bīja/mantra/vidyā)","lookup_keywords":["dvādaśāṅguli padma","hasta","śamī-patra","lakṣa-japa","mantra-siddhi"],"quick_summary":"Draw a 12-aṅgula lotus within a 1-hasta mandala, color it dark using śamī leaves, and follow japa counts: 1 lakh for bīja, 4 lakhs for mantra, and 1 lakh for vidyā accomplishment (as stated here)."}

Concept: Siddhi arises from measurable discipline: correct maṇḍala form plus fixed japa-saṅkhyā.

Application: Gives practitioners a concrete practice plan: prepare the mandala to specification and complete prescribed repetition counts for bīja/mantra/vidyā.

Khanda Section: Puja-vidhi / Mantra-sadhana (Mandala & Japa-lakshana)

Primary Rasa: shanta

Secondary Rasa: adbhuta

Visual Art Cues: {"scene_description":"A ritual space with a front decorative row and door-ornament motifs; a square mandala of one hasta containing a 12-aṅgula lotus, shaded dark using śamī leaves; a counting rosary and tally marks indicating 1 lakh and 4 lakh japa targets.","kerala_mural_prompt":"Kerala mural style, sādhaka drawing a one-hasta mandala with a 12-aṅgula lotus, applying dark green-black pigment from śamī leaves, rosary in hand, temple doorway ornamentation visible, calm lamp-lit atmosphere","tanjore_prompt":"Tanjore style with gold, central lotus mandala within a square, ornate dvāra-śobhā border, dark lotus fill, rosary and manuscript showing ‘lakṣa’ counts, rich gold embellishments","mysore_prompt":"Mysore style, instructional depiction with measurement markers (aṅgula, hasta) around the lotus and square, notes on japa counts (1 lakh bīja, 4 lakhs mantra, 1 lakh vidyā), sādhaka seated with japa-mālā","mughal_miniature_prompt":"Mughal miniature, scholar-sādhaka in an atelier-like shrine, geometric mandala with lotus, small bowl of crushed śamī leaves for dark pigment, rosary and counting board, fine architectural doorway ornament in background"}

Audio Atmosphere: {"recitation_mood":"contemplative","suggested_raga":"Darbari Kanada","pace":"slow","voice_tone":"instructional"}

Sandhi Resolution Notes: dvādaśāṅgulibhiḥ = dvādaśa-aṅgulibhiḥ; padmamekahaste = padmam + eka-haste; śamīpatrādikaiḥ = śamī-patra-ādikaiḥ; lakṣajāpyataḥ = lakṣa-jāpyataḥ; caturlakṣaistu = catur-lakṣaiḥ + tu; reanalysis assumes technical ritual-measure terms.

Related Themes: Agni Purana 29.16-29.19 (mandala coloration, grids, pigment sources)

A
Agni Purana
M
Mandala
P
Padma (lotus diagram)
S
Shami (Śamī tree leaves)
B
Bīja-mantra
M
Mantra
V
Vidyā

FAQs

It specifies practical maṇḍala-making rules (lotus diagram size in aṅgula/hasta measures, coloring with śamī leaves) and prescribes japa-count standards for bīja, mantra, and vidyā-sādhana.

Alongside theology, the Agni Purāṇa preserves highly technical ritual protocols—diagram geometry, material prescriptions, and quantitative japa norms—showing its role as a compendium of applied religious and mantra-śāstra practice.

By standardizing maṇḍala purity and disciplined repetition counts, the verse frames mantra practice as a regulated sādhana aimed at mantra-siddhi (attainment) and ritual efficacy, traditionally associated with purification and merit when performed correctly.