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Agni Purana — Agneya-vidya, Shloka 7

Sargaviṣayaka-varṇana — The Topics of Primary Creation

Sarga

ख्यात्याद्या दक्षकन्यास्तु भृग्वाद्या उपयेमिरे नित्यो नैमित्तकः सर्गस्त्रिधा प्रकथितो जनैः

khyātyādyā dakṣakanyāstu bhṛgvādyā upayemire nityo naimittakaḥ sargastridhā prakathito janaiḥ

Khyāti and the other daughters of Dakṣa were married by Bhṛgu and the other sages. Creation (sarga) is spoken of by people as threefold—namely, the constant (nitya), the occasional (naimittika), and the third, the elemental or prākṛta creation.

ख्याति-आद्याःKhyāti and others
ख्याति-आद्याः:
Karta (कर्ता/Subject)
TypeNoun
Rootkhyāti (प्रातिपदिक) + ādi (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, बहुवचन; तत्पुरुषः—‘ख्यातिः आदिः यसाम्’ (khyāti etc.)
दक्ष-कन्याःdaughters of Dakṣa
दक्ष-कन्याः:
Karta (कर्ता/Subject)
TypeNoun
Rootdakṣa (प्रातिपदिक) + kanyā (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, बहुवचन; षष्ठी-तत्पुरुषः—‘दक्षस्य कन्याः’
तुindeed/but
तु:
Sambandha (सम्बन्ध/particle)
TypeIndeclinable
Roottu (अव्यय)
Formअव्यय, निपात
भृगु-आद्याःBhṛgu and others
भृगु-आद्याः:
Karta (कर्ता/Subject)
TypeNoun
Rootbhṛgu (प्रातिपदिक) + ādi (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, बहुवचन; तत्पुरुषः—‘भृगुः आदिः येषाम्’
उपयेमिरेmarried/took (as wives)
उपयेमिरे:
Kriya (क्रिया)
TypeVerb
Rootupa + √yam (धातु)
Formलिट् (perfect), प्रथमपुरुष (3rd person), बहुवचन; परस्मैपद; √यम् ‘to take’ with उप- = ‘to marry/take as wife’
नित्यःconstant/perpetual
नित्यः:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootnitya (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन; विशेषण (of sargaḥ)
नैमित्तकःoccasional/periodic
नैमित्तकः:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootnaimittaka (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन; विशेषण (of sargaḥ)
सर्गःcreation
सर्गः:
Karta (कर्ता/Subject)
TypeNoun
Rootsarga (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन
त्रिधाin three ways
त्रिधा:
Sambandha (सम्बन्ध/adverbial)
TypeIndeclinable
Roottridhā (अव्यय)
Formअव्यय, प्रकारवाचक (adverb: in three ways)
प्रकथितःis described
प्रकथितः:
Kriya (क्रिया/predicative)
TypeVerb
Rootpra + kath (धातु) → prakathita (कृदन्त)
Formभूतकर्मणि कृदन्त (past passive participle), पुंलिङ्ग, प्रथमा, एकवचन; ‘has been described’
जनैःby people
जनैः:
Karta (कर्ता/Agent in passive)
TypeNoun
Rootjana (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया, बहुवचन

Lord Agni (narrating the Purāṇic cosmology to Vasiṣṭha, in the standard Agni Purāṇa dialogue frame)

Vidya Category: {"primary_vidya":"Cosmology","secondary_vidya":"Dharmashastra","practical_application":"Connects genealogical myth (Dakṣa’s daughters and ṛṣi marriages) to the mechanics of ongoing creation, and introduces the threefold creation model (nitya/naimittika/prākṛta) used to interpret cycles and duties.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"Description","entry_title":"Dakṣa-Kanyā Vivāha and the Threefold Sarga (Nitya–Naimittika–Prākṛta)","lookup_keywords":["Dakṣa-kanyā","Khyāti","Bhṛgu","nitya-sarga","naimittika-sarga"],"quick_summary":"Notes the marriages of Dakṣa’s daughters (beginning with Khyāti) to sages (beginning with Bhṛgu) as a generative link in cosmic population, and states that creation is taught as threefold: constant, occasional, and elemental/primordial."}

Concept: Cosmic continuity is sustained through ordered relations (vivāha, prajā-santāna) and through cyclic models of creation (nitya/naimittika/prākṛta).

Application: Read social institutions (marriage, lineage, ritual timing) as mirrors of cosmic order; apply the nitya/naimittika distinction to daily vs. periodic duties (nitya-karma vs. naimittika-karma).

Khanda Section: Sarga-Prakriya (Cosmology: types of creation)

Primary Rasa: adbhuta

Secondary Rasa: shanta

Visual Art Cues: {"scene_description":"A genealogical court-like scene: Dakṣa presenting daughters (Khyāti foremost) to sages like Bhṛgu in marriage, with a subtle cosmic backdrop indicating that these unions generate worlds; alongside, a tri-part diagram labeled nitya, naimittika, prākṛta.","kerala_mural_prompt":"Kerala mural, Dakṣa in regal posture, daughters in traditional attire, sages with matted hair; ceremonial marriage gestures; background bands showing three creation modes as symbolic motifs; bold outlines and temple palette.","tanjore_prompt":"Tanjore, wedding tableau with gold ornamentation, Dakṣa and sages richly adorned, daughters with gold jewelry; side panel with three labeled medallions for nitya/naimittika/prākṛta; heavy gold work.","mysore_prompt":"Mysore painting, didactic composition: marriage scene plus a neat tri-fold chart; fine detailing of ritual items (water pot, garlands), clear labels, soft colors.","mughal_miniature_prompt":"Mughal miniature, refined assembly with Dakṣa’s court, sages receiving brides, intricate textiles; marginal genealogical notes; a small inset diagram showing threefold sarga."}

Audio Atmosphere: {"recitation_mood":"instructional","suggested_raga":"Shri","pace":"medium","voice_tone":"instructional"}

Sandhi Resolution Notes: ख्यात्याद्या = ख्याति-आद्याः; दक्षकन्यास्तु = दक्षकन्याः + तु; भृग्वाद्या = भृगु-आद्याः; सर्गस्त्रिधा = सर्गः + त्रिधा

Related Themes: Agni Purana cosmology-genealogy passages (prajā-sarga context); Agni Purana dharma sections on nitya/naimittika karmas (where present)

D
Dakṣa
K
Khyāti
B
Bhṛgu
S
Sarga (creation)

FAQs

It imparts cosmological taxonomy: the Purāṇic classification of creation (sarga) into categories such as nitya (ongoing/constant) and naimittika (occasional, triggered by a specific occasion), framing how the universe’s cycles are described.

It combines genealogical data (Dakṣa’s daughters and their marriages to sages like Bhṛgu) with a technical doctrinal classification (types of sarga), illustrating how the Agni Purāṇa catalogs both lineage-traditions and systematic cosmology.

By situating beings and lineages within an ordered scheme of creation, the verse supports a dharmic worldview: understanding cosmic order (sṛṣṭi-krama) is treated as a basis for right conduct and for seeing one’s life within cyclical, divinely structured time.