The Slaying of the Daitya Ruru, the Hymn to Cāmuṇḍā/Kālarātri, and the Doctrine of the Threefold Power
Uttara Bhāga · Devī-stuti and Bhūta/Grāha Narratives (Possession Motifs)
गृहे क्षेत्रे तडागेषु वाप्युद्यानेषु चैव हि । अन्यचित्ता रुदन्त्यो याः स्त्रियस्तिष्ठन्ति नित्यशः । तासां शरीराण्याविश्य काश्चित्तृप्तिमवाप्स्यथ ॥
gṛhe kṣetre taḍāgeṣu vāpyudyāneṣu caiva hi | anyacittā rudantyo yāḥ striyas tiṣṭhanti nityaśaḥ | tāsāṃ śarīrāṇy āviśya kāścit tṛptim avāpsyatha ||
gRRihe kShetre taDAgeShu vApyudyAneShu chaiva hi | anyachittA rudantyo yAH striyastiShThanti nityashaH | tAsAM sharIrANyAvishya kAshchittRRiptimavApsyatha
Wahrlich, in Häusern, auf Feldern, an Teichen, Brunnen und in Gärten stehen jene Frauen, die stets zerstreuten Sinnes und weinend verweilen; indem manche Wesen in ihre Körper eingehen, werden sie Befriedigung erlangen.
Manas-vikṣepa (distracted mind) and śoka (weeping) are portrayed as openings for adhidaivika/abhicārika influences; suffering becomes a ‘seat’ (āśraya) for intrusive forces seeking tṛpti.
Cultivate steadiness (dhairya), śauca, and protective recitations/offerings in vulnerable spaces (home, water-sites); address grief and mental agitation as part of ritual hygiene.
95.95.44-47 (Rudra’s stuti that follows, implying pacification/protection after conflict)
It documents how Sanskrit Purāṇic literature encodes social-ritual explanations for distress and abnormal behavior through the idiom of āveśa (entry/possession).
No named location appears; instead, common landscape units (house, field, pond, well, garden) are listed as settings.
Implicitly, it stresses safeguarding mental and bodily wellbeing—especially for those in vulnerable emotional states—within the text’s ritual worldview.
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