HomeVaraha PuranaAdhyaya 62Shloka 22
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Varaha Purana 62.22: Adhyaya 62, Shloka 22

Instruction on the ‘Health Vow’ and the Rite of Solar Worship

एतस्मिन् दृष्टमात्रे तु यो जलं विशते नरः । सर्वपापविनिर्मुक्तः परं निर्वाणमर्हति ॥ ६२.२२ ॥

Sanskrit recitationVaraha Purana 62.22

etasmin dṛṣṭamātre tu yo jalaṁ viśate naraḥ | sarvapāpavinirmuktaḥ paraṁ nirvāṇam arhati || 62.22 ||

Wer aber, nachdem er diesen heiligen Ort nur erblickt hat, in seine Wasser hinabsteigt, wird von allen Sünden frei und gilt als würdig des höchsten Nirvāṇa (endgültiger Erlösung).

एतस्मिन्in this
एतस्मिन्:
Adhikarana (अधिकरण/Location)
TypeNoun
Rootएतद् (सर्वनाम-प्रातिपदिक)
Formनपुंसकलिङ्ग, सप्तमी (Locative/7th), एकवचन
दृष्ट-मात्रेupon mere seeing
दृष्ट-मात्रे:
Adhikarana (अधिकरण/Condition)
TypeNoun
Rootदृश् (धातु) + मात्र (प्रातिपदिक)
Formनपुंसकलिङ्ग, सप्तमी (Locative/7th), एकवचन; 'mere seeing' (as a condition/location: 'in the mere sight')
तुindeed
तु:
Sambandha (सम्बन्ध/Discourse particle)
TypeIndeclinable
Rootतु (अव्यय)
Formअव्यय; अवधारण/विरोधार्थक-निपात (particle: but/indeed)
यःwho
यः:
Karta (कर्ता/Subject)
TypeNoun
Rootयद् (सर्वनाम-प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (Nom.), एकवचन
जलम्water
जलम्:
Karma (कर्म/Object)
TypeNoun
Rootजल (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया (Acc.), एकवचन
विशतेenters
विशते:
Kriya (क्रिया)
TypeVerb
Rootविश् (धातु)
Formलट्-लकार (Present), प्रथम-पुरुष (3rd), एकवचन; आत्मनेपद
नरःa man
नरः:
Karta (कर्ता/Subject apposition)
TypeNoun
Rootनर (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (Nom.), एकवचन
सर्व-पाप-विनिर्मुक्तःfreed from all sins
सर्व-पाप-विनिर्मुक्तः:
Visheshana (विशेषण)
TypeAdjective
Rootसर्व (प्रातिपदिक) + पाप (प्रातिपदिक) + विनिर्मुक्त (कृदन्त-प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (Nom.), एकवचन; बहु-तत्पुरुष: 'सर्वेभ्यः पापेभ्यः विनिर्मुक्तः' (freed from all sins)
परम्supreme
परम्:
Visheshana (विशेषण)
TypeAdjective
Rootपर (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया (Acc.), एकवचन
निर्वाणम्nirvāṇa / liberation
निर्वाणम्:
Karma (कर्म/Object)
TypeNoun
Rootनिर्वाण (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया (Acc.), एकवचन
अर्हतिattains / deserves
अर्हति:
Kriya (क्रिया)
TypeVerb
Rootअर्ह् (धातु)
Formलट्-लकार (Present), प्रथम-पुरुष (3rd), एकवचन; परस्मैपद

Varāha (default speaker per dialogue framework; not explicit in fragment)

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":false,"speaker_role":"instructor"}

Mathura Mandala: {"is_mathura_related":false,"specific_site":"Unspecified tīrtha/udaka (sacred waters) in the narrative context"}

Dharma Shastra: {"has_dharma_rule":true,"instruction_summary":"Merely seeing the tīrtha and then entering its waters is declared to destroy all pāpa and make one fit for supreme release.","karmic_consequence":"Observance yields sarva-pāpa-vinirmukti and eligibility for paramanirvāṇa; neglect implied as loss of this salvific opportunity."}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":false}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"soteriology via tīrtha-sevā","core_concept":"External sacred contact (darśana + snāna) can catalyze inner purification culminating in liberation.","practical_application":"Approach the tīrtha with śraddhā, take ritual bath after darśana, and maintain ethical restraint so the purification is not contradicted by conduct."}

Subject Matter: ["Sacred Geography","Ethics","Pilgrimage Culture","Soteriology"]

Primary Rasa: śānta

Secondary Rasa: adbhuta

Type: tīrtha / jalāśaya

Related Themes: 62.62.23 (mūrti in waters and liberation); 62.62.24 (transgression at the same site and karmic consequence)

Visual Art Cues: {"scene_description":"A pilgrim, having first beheld the sacred spot, steps into luminous waters; the atmosphere suggests immediate purification and release.","item_prompts":["radiant tīrtha waters","pilgrim with añjali entering water","subtle aura of purification","banks with simple shrine markers"],"kerala_mural_prompt":"Kerala mural style: serene tīrtha on riverbank, stylized ripples, devotee entering water, soft halo indicating pāpa-kṣaya, warm earthy palette.","tanjore_prompt":"Tanjore style: central devotee at sacred waters with ornate border, gold-leaf highlights on water shimmer and halo of mokṣa, minimal background architecture.","mysore_prompt":"Mysore style: delicate linework, calm river-tīrtha, devotee mid-step into water, gentle gradations suggesting sanctity and inner peace.","pahari_prompt":"Pahari style: lyrical landscape with clear stream/tank, small shrine on bank, devotee bathing; cool tones and airy space conveying śānta-rasa."}

Audio Atmosphere: {"recitation_mood":"benedictory, contemplative","suggested_raga":"Yaman","pace":"medium-slow","voice_tone":"clear, steady, gently emphatic on 'sarva-pāpa-vinirmuktaḥ' and 'param nirvāṇam'"}

C
Classical Literature
P
Purāṇic Studies
V
Vaiṣṇavism
A
Ancient Geography

FAQs

It exemplifies the Purāṇic tīrtha-māhātmya genre, where sacred sites are framed as cultural-heritage landscapes and pilgrimage acts (seeing a site, bathing) are presented as ethically transformative within the broader Sanskrit literary tradition.

The verse refers deictically to “this (place)” (etasmin) without naming it in the provided fragment; the specific tīrtha must be identified from surrounding verses in Adhyāya 62.

The verse promotes purification through intentional engagement with a culturally significant water-site—emphasizing the idea that contact with a tīrtha (darśana and bathing) symbolizes moral cleansing and aspiration toward liberation.

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