HomeVaraha PuranaAdhyaya 37Shloka 10
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Varaha Purana 37.10 — Adhyaya 37, Shloka 10

The Threefold Discipline (Mental, Physical, Verbal) and the Salvific Power of Hearing Nārāyaṇa’s Name

तत्र स्नात्वा जपन् विप्रो ददर्शायान्तमग्रतः । व्याधं महाधनुःपाणिमुग्रनेत्रं विभीषणम् ॥ ३७.१० ॥

tatra snātvā japan vipro dadarśāyāntam agrataḥ | vyādhaṃ mahādhanuḥpāṇim ugranetraṃ vibhīṣaṇam || 37.10 ||

Dort, nachdem er gebadet hatte und während er Japa rezitierte, sah der Brāhmaṇa vor sich einen Jäger herankommen—mit einem großen Bogen in der Hand, mit grimmigen Augen und furchterregender Gestalt.

तत्रthere
तत्र:
Kriya-visheshana (क्रियाविशेषणम्)
TypeIndeclinable
Rootतत्र (अव्यय)
Formअव्ययम्; देशवाचक-अव्यय (locative adverb)
स्नात्वाhaving bathed
स्नात्वा:
Purvakala-kriya (पूर्वकाल-क्रिया)
TypeVerb
Rootस्ना (धातु)
Formक्त्वान्त-अव्ययकृदन्तम् (gerund/absolutive) — पूर्वकालिक-क्रिया (having bathed)
जपन्chanting / muttering (prayers)
जपन्:
Karta (कर्ता)
TypeVerb
Rootजप् (धातु)
Formशतृ-प्रत्ययान्त वर्तमान-कृदन्तः (present active participle); पुंलिङ्गे प्रथमा, एकवचनम्
विप्रःthe brahmin
विप्रः:
Karta (कर्ता)
TypeNoun
Rootविप्र (प्रातिपदिक)
Formपुंलिङ्गे प्रथमा-विभक्तिः, एकवचनम्
ददर्शsaw
ददर्श:
Kriya (क्रिया)
TypeVerb
Rootदृश् (धातु)
Formलिट्-लकारः (Perfect), परस्मैपदम्, प्रथमपुरुषः, एकवचनम्
आयान्तम्coming
आयान्तम्:
Karma (कर्म)
TypeVerb
Rootया (धातु)
Formशतृ-प्रत्ययान्त वर्तमान-कृदन्तः; पुंलिङ्गे द्वितीया-विभक्तिः, एकवचनम्; गत्यर्थक (coming)
अग्रतःin front
अग्रतः:
Kriya-visheshana (क्रियाविशेषणम्)
TypeIndeclinable
Rootअग्रतः (अव्यय)
Formअव्ययम्; स्थानवाचक-अव्यय (in front)
व्याधम्hunter
व्याधम्:
Karma (कर्म)
TypeNoun
Rootव्याध (प्रातिपदिक)
Formपुंलिङ्गे द्वितीया-विभक्तिः, एकवचनम्; ददर्श इत्यस्य कर्म
महा-धनुः-पाणिम्having a great bow in (his) hand
महा-धनुः-पाणिम्:
Visheshana (विशेषणम्)
TypeAdjective
Rootमहा (प्रातिपदिक) + धनुस् (प्रातिपदिक) + पाणि (प्रातिपदिक)
Formबहुव्रीहि-समासः (यस्य पाणौ महद्धनुः सः); पुंलिङ्गे द्वितीया-विभक्तिः, एकवचनम्; व्याधम् इति विशेषणम्
उग्र-नेत्रम्fierce-eyed
उग्र-नेत्रम्:
Visheshana (विशेषणम्)
TypeAdjective
Rootउग्र (प्रातिपदिक) + नेत्र (प्रातिपदिक)
Formकर्मधारय-समासः (उग्रं नेत्रं यस्य/उग्रनेत्रः); अत्र पुंलिङ्गे द्वितीया, एकवचनम्; व्याधम् इति विशेषणम्
विभीषणम्terrifying
विभीषणम्:
Visheshana (विशेषणम्)
TypeAdjective
Rootविभीषण (प्रातिपदिक)
Formपुंलिङ्गे द्वितीया-विभक्तिः, एकवचनम्; व्याधम् इति विशेषणम्

Varāha (default speaker framework; explicit speaker not indicated in this verse-fragment)

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":false,"speaker_role":"instructor"}

Mathura Mandala: {"is_mathura_related":false,"specific_site":"Devikā/mahānadī bathing spot (tīrtha)"}

Dharma Shastra: {"has_dharma_rule":true,"instruction_summary":"Even during snāna and japa, one must maintain vigilance and dhārmic composure when confronted by हिंसक (violent) persons.","karmic_consequence":"Steadfastness in japa and restraint preserves merit and clarity; panic or retaliatory adharma can entangle one in further harm and demerit."}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":false}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"smaraṇa amid adversity","core_concept":"Spiritual practice is not confined to safety; japa is meant to steady the mind when fear arises.","practical_application":"When threatened, return attention to mantra and breath; avoid impulsive reaction and keep discernment."}

Subject Matter: ["Sacred Geography","Ritual Practice","Ethics","Narrative Encounter"]

Primary Rasa: bhayānaka

Secondary Rasa: śānta

Type: tīrtha/river crossing or bathing ghat

Related Themes: Varāha Purāṇa 37.37.11-12 (Nārāyaṇa-smaraṇa and the hunter’s fear upon perceiving Hari within)

Visual Art Cues: {"scene_description":"A brāhmaṇa, wet from bathing, softly chanting; from the foreground approaches a fearsome hunter with a large bow and arrow, glaring eyes, ominous posture.","item_prompts":["brāhmaṇa with japa-mālā, wet hair/cloth","hunter (vyādha) with mahādhanuḥ and fitted arrow","contrasting expressions: calm vs fierce","river edge with ripples, reeds, stones"],"kerala_mural_prompt":"Kerala mural: dramatic entrance of the vyādha with bold eyes; brāhmaṇa in composed stance, strong contour lines, saturated earth tones.","tanjore_prompt":"Tanjore: iconic confrontation composition; gold accents on bow, ornaments, and water highlights; strong frontal figures.","mysore_prompt":"Mysore: refined facial emotions—hunter’s menace, brāhmaṇa’s composure; detailed textiles and naturalistic riverbank.","pahari_prompt":"Pahari: narrative vignette with sweeping landscape; hunter emerging from trees, brāhmaṇa near water, expressive minimalism."}

Audio Atmosphere: {"recitation_mood":"tense, foreboding","suggested_raga":"Bhairav","pace":"medium","voice_tone":"firm, slightly heightened to mark danger"}

C
Classical Literature
P
Purāṇic Narrative
V
Vaiṣṇavism
C
Cultural Heritage
S
Sanskrit Philology

FAQs

It reflects a common Purāṇic narrative motif: a ritual act (bathing and japa) followed by an encounter that advances ethical or didactic discourse, illustrating how tīrtha settings frame instruction within cultural heritage storytelling.

No specific place-name appears in this verse; it situates the action generally at a bathing spot (tatra snātvā), implying a tīrtha context established earlier in the chapter.

The verse itself is descriptive rather than prescriptive; it prepares an ethical or philosophical exchange by contrasting the brāhmaṇa’s disciplined practice (snāna, japa) with the sudden appearance of a fearsome hunter, a setup often used to explore conduct, perception, and dharma in subsequent verses.

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