HomeVaraha PuranaAdhyaya 24Shloka 25
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Varaha Purana 24.25: Adhyaya 24, Shloka 25

The Birth of the Nāgas, Brahmā’s Curse, and the Pañcamī Observance

तत्र भोगान् बहुविधान् भुञ्जाना मम शासनात् । तिष्ठध्वं सप्तमं यावद् रात्र्यन्तं तु पुनः पुनः ॥ २४.२५ ॥

Sanskrit recitationVaraha Purana 24.25

tatra bhogān bahuvidhān bhuñjānā mama śāsanāt | tiṣṭhadhvaṃ saptamaṃ yāvad rātryantaṃ tu punaḥ punaḥ || 24.25 ||

Dort, indem ihr nach meinem Gebot vielerlei Genüsse erfahrt, bleibt bis zur siebten Nacht; und am Ende jeder Nacht handelt immer wieder erneut gemäß der Weisung.

तत्रthere
तत्र:
अधिकरण (Adhikaraṇa)
TypeIndeclinable
Rootतत्र (अव्यय)
Formस्थानवाचक-अव्यय (locative adverb)
भोगान्enjoyments
भोगान्:
कर्म (Karma)
TypeNoun
Rootभोग (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया-विभक्ति (कर्म), बहुवचन
बहुविधान्of many kinds
बहुविधान्:
कर्म (Karma)
TypeAdjective
Rootबहु + विध (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया-विभक्ति, बहुवचन; विशेषण (qualifier)
भुञ्जानाःenjoying
भुञ्जानाः:
कर्ता (Kartā)
TypeVerb
Rootभुज् (धातु) + शानच् (कृदन्त)
Formवर्तमान-कृदन्त (शतृ/शानच्), परस्मैपद-सम्बन्ध; प्रथमा, बहुवचन; कर्तरि प्रयोग (active participle)
ममmy
मम:
सम्बन्ध (Sambandha)
TypeNoun
Rootअस्मद् (सर्वनाम-प्रातिपदिक)
Formषष्ठी-विभक्ति (genitive), एकवचन; सर्वनाम
शासनात्from (by) the command
शासनात्:
अपादान (Apādāna)
TypeNoun
Rootशासन (प्रातिपदिक)
Formनपुंसकलिङ्ग, पञ्चमी-विभक्ति (ablative), एकवचन
तिष्ठध्वम्stay / remain
तिष्ठध्वम्:
क्रिया (Kriyā)
TypeVerb
Rootस्था (धातु)
Formलोट्-लकार (imperative), मध्यम-पुरुष, बहुवचन; आत्मनेपद
सप्तमम्the seventh (day)
सप्तमम्:
अधिकरण (Adhikaraṇa)
TypeAdjective
Rootसप्तम (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया-विभक्ति, एकवचन; काल/पर्यन्त-विशेषण (as measure)
यावत्until
यावत्:
अधिकरण (Adhikaraṇa)
TypeIndeclinable
Rootयावत् (अव्यय)
Formपरिमाण/अवधि-वाचक-अव्यय (until)
रात्रि-अन्तम्till the end of the night
रात्रि-अन्तम्:
अधिकरण (Adhikaraṇa)
TypeNoun
Rootरात्रि (प्रातिपदिक) + अन्त (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया-विभक्ति, एकवचन; षष्ठी-तत्पुरुष (रात्रेः अन्तः)
तुindeed / but
तु:
सम्बन्ध (Discourse particle)
TypeIndeclinable
Rootतु (अव्यय)
Formनिपात (particle; emphasis/contrast)
पुनःagain
पुनः:
क्रियाविशेषण (Adverbial)
TypeIndeclinable
Rootपुनः (अव्यय)
Formकाल/आवृत्ति-वाचक-अव्यय (again)
पुनःagain and again
पुनः:
क्रियाविशेषण (Adverbial)
TypeIndeclinable
Rootपुनः (अव्यय)
Formआवृत्ति-वाचक-अव्यय; पुनरुक्ति (repetition for emphasis)

Varāha (default, instructor voice in Varāha–Pṛthivī dialogue framework)

Varaha Avatara Context: {"is_varaha_focus":true}

Bhu Devi Dialogue: {"is_dialogue":false}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":true,"instruction_summary":"Enjoy permitted pleasures only within the limits of the divine directive, including a specified temporal boundary (‘until the seventh night’) and repeated nightly observance.","karmic_consequence":"Discipline within limits sustains privilege and avoids sin; overstepping time/behavioral limits leads to loss of granted enjoyments and punitive consequences."}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":false}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"ethics of restraint","core_concept":"Bhoga is not condemned but must be governed by śāsana (rule) and kāla (time); freedom is meaningful only within dharmic limits.","practical_application":"Adopt time-bound disciplines (limits, routines) so pleasure does not become harm; keep agreements and schedules as ethical practice."}

Subject Matter: ["Ritual Practice","Ethics","Discipline (niyama)","Temporal observance (calendar/periodization)"]

Primary Rasa: śānta

Secondary Rasa: niyama (discipline)

Type: subterranean residence with calendrical regulation

Related Themes: Varaha Purana 24.24.23-24 (compact and assigned abode)

Visual Art Cues: {"scene_description":"In jeweled nether halls, Nāgas enjoy diverse pleasures yet remain attentive to Varāha’s rule; a visual motif of seven nights (seven lamps/moons) marks the time-limit, with a nightly ‘end’ bell or lamp-extinguishing ritual repeated.","item_prompts":["Nāga palace interior","regulated festivities (music, offerings)","seven lamps or seven moon-discs to signify ‘seventh night’","a herald/timekeeper marking night’s end","Varāha’s directive symbol (seal/insignia) present in the hall"],"kerala_mural_prompt":"Kerala mural: rhythmic procession of nights via repeated lamp motifs, ornate palace patterns, Nāgas in disciplined enjoyment, strong outlines and decorative borders.","tanjore_prompt":"Tanjore: lavish palace with gold highlights, seven prominent lamps, Nāgas richly ornamented, a divine insignia indicating ‘my directive’.","mysore_prompt":"Mysore: elegant interior scene, subtle depiction of timekeeping (lamp, bell), refined expressions showing restraint amid pleasure.","pahari_prompt":"Pahari: lyrical palace scene with repeated night symbols, delicate figures, emphasis on narrative sequence ‘again and again’ through patterned repetition."}

Audio Atmosphere: {"recitation_mood":"measured and regulatory","suggested_raga":"Yaman","pace":"medium-slow","voice_tone":"calm, instructive, time-marking cadence"}

C
Classical Literature
P
Purāṇic Studies
V
Vaiṣṇavism
S
Sanskrit Philology

FAQs

It exemplifies Purāṇic prescriptive discourse, where an authoritative speaker frames ritual or disciplined observance through time-bound instructions, reflecting the didactic style common to Purāṇa literature.

No specific geographic location is named in this verse; it uses the deictic term 'tatra' (“there”), which depends on the surrounding narrative context for identification.

The core instruction is disciplined compliance with an established directive (śāsana), emphasizing regulated conduct and adherence to a prescribed duration and repetition.

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