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Varaha Purana 213.87: Adhyaya 213, Shloka 87

The Glory of Gokarṇeśvara: Nandin’s Austerities and Śiva’s Boons

कोटिजप्येन रुद्राणामाराधनपरस्य च ॥ एतत्तु वचनं श्रुत्वा नन्दिनः स महेश्वरः ॥

Sanskrit recitationVaraha Purana 213.87

koṭijapyena rudrāṇām ārādhanaparasya ca || etattu vacanaṃ śrutvā nandinaḥ sa maheśvaraḥ ||

Und weil er der Verehrung und Besänftigung der Rudras durch wiederholtes Japa—bis zur Zahl von zehn Millionen—hingegeben war. Als Maheśvara diese Aussage über Nandī vernahm, erwiderte er…

koṭi-japyenaby (means of) a crore of recitations
koṭi-japyena:
Karana (करण/Instrument)
TypeNoun
Rootkoṭi (प्रातिपदिक) + japya (प्रातिपदिक)
FormNeuter (नपुंसकलिङ्ग), Instrumental (3rd/तृतीया), Singular (एकवचन); षष्ठी-तत्पुरुषः (कोट्या जप्यम्)
rudrāṇāmof the Rudras
rudrāṇām:
Sambandha (सम्बन्ध/Genitive relation)
TypeNoun
Rootrudra (प्रातिपदिक)
FormMasculine (पुंलिङ्ग), Genitive (6th/षष्ठी), Plural (बहुवचन)
ārādhana-parasyaof (him) devoted to worship
ārādhana-parasya:
Visheshana (विशेषण/Qualifier)
TypeAdjective
Rootārādhana (प्रातिपदिक) + para (प्रातिपदिक)
FormMasculine (पुंलिङ्ग), Genitive (6th/षष्ठी), Singular (एकवचन); तत्पुरुषः (आराधने परः = devoted to worship)
caand
ca:
Samuccaya (समुच्चय/Connector)
TypeIndeclinable
Rootca (अव्यय)
FormConjunction/particle (समुच्चय-अव्यय)
etatthis
etat:
Karma (कर्म/Object)
TypeNoun
Rootetat (सर्वनाम-प्रातिपदिक)
FormNeuter (नपुंसकलिङ्ग), Accusative (2nd/द्वितीया), Singular (एकवचन)
tuindeed / but
tu:
Sambandha (सम्बन्ध/Discourse particle)
TypeIndeclinable
Roottu (अव्यय)
FormParticle (निपात/अव्यय), adversative/emphatic
vacanamstatement, words
vacanam:
Karma (कर्म/Object)
TypeNoun
Rootvacana (प्रातिपदिक)
FormNeuter (नपुंसकलिङ्ग), Accusative (2nd/द्वितीया), Singular (एकवचन)
śrutvāhaving heard
śrutvā:
Kriya (क्रिया/Non-finite verbal action)
TypeVerb
Rootśru (धातु)
FormAbsolutive/Gerund (क्त्वान्त/ल्यप्), ‘having heard’
nandinaḥfrom Nandin
nandinaḥ:
Apadana (अपादान/Source)
TypeNoun
Rootnandin (प्रातिपदिक)
FormMasculine (पुंलिङ्ग), Ablative (5th/पञ्चमी), Singular (एकवचन)
saḥhe
saḥ:
Karta (कर्ता/Subject)
TypeNoun
Roottad (सर्वनाम-प्रातिपदिक)
FormMasculine (पुंलिङ्ग), Nominative (1st/प्रथमा), Singular (एकवचन)
maheśvaraḥMaheshvara (Śiva)
maheśvaraḥ:
Karta (कर्ता/Subject; apposition)
TypeNoun
Rootmaheśvara (प्रातिपदिक)
FormMasculine (पुंलिङ्ग), Nominative (1st/प्रथमा), Singular (एकवचन)

Varāha (default dialogue framework: instructor/narrator)

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":false,"speaker_role":"instructor"}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":true,"instruction_summary":"Ascetic discipline: sustained japa (here, koṭi-level repetition) dedicated to Rudra is presented as a powerful mode of ārādhana that elicits Maheśvara’s response.","karmic_consequence":"Such concentrated mantra-practice leads to divine attention and siddhi-like favor (prasāda/boon/teaching) as the narrative consequence."}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":false}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"mantra-and-bhakti","core_concept":"Quantity (koṭi-japa) signifies unwavering niṣṭhā; mantra is not mere sound-counting but sustained orientation of mind toward the deity.","practical_application":"Adopt consistent japa with clear saṅkalpa and devotion; prioritize steadiness and purity of intent over display, while keeping a realistic discipline."}

Subject Matter: ["Ascetic Practice","Mantra Recitation","Religious Discipline (neutral)"]

Primary Rasa: shanta

Secondary Rasa: adbhuta

Type: tapas/āśrama milieu (unspecified)

Related Themes: Varāha Purāṇa Śaiva-leaning episodes where japa/tapas leads to Maheśvara’s boon (generic internal echo)

Visual Art Cues: {"scene_description":"Sage Nandī absorbed in prolonged Rudra-japa, surrounded by the stillness of tapas; the narrative turns as Maheśvara ‘hears’ and prepares to respond.","item_prompts":["ascetic seated in padmāsana","japa-mālā","kamaṇḍalu","rudrākṣa beads","fire altar or quiet hermitage","subtle presence of Śiva as an approaching radiance or listening figure"],"kerala_mural_prompt":"Kerala mural: ascetic with bold outlines, mala prominent; background of forest and small homa-kuṇḍa; Śiva indicated by a luminous aura entering the frame.","tanjore_prompt":"Tanjore: ascetic panel with gold highlights on mala and aura; Śiva’s presence suggested with gold prabhā behind a stylized arch.","mysore_prompt":"Mysore: serene hermitage scene, fine detailing of beads and water pot; soft glow indicating Maheśvara’s attention.","pahari_prompt":"Pahari: quiet Himalayan-forest feel; ascetic by a stream; minimalistic glow in the sky hinting at Śiva’s response."}

Audio Atmosphere: {"recitation_mood":"austere and focused","suggested_raga":"Todi","pace":"slow","voice_tone":"steady, meditative, with firm articulation of ‘koṭi-japya’ and ‘rudrāṇām’"}

C
Classical Literature
P
Purāṇic Practice
M
Mantra Studies
Ś
Śaiva Ritual Culture

FAQs

It attests to the Purāṇic valorization of disciplined recitation (japa) and provides terminology (koṭijapya, ārādhana) relevant to the history of South Asian ritual practice.

No specific location is given in this verse; it remains embedded in the Gokarṇa Māhātmya narrative sequence.

The verse foregrounds perseverance and focused discipline as exemplary traits in spiritual practice, presented as causally linked to recognition or response.

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