HomeVaraha PuranaAdhyaya 20Shloka 25
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Varaha Purana 20.25 — Adhyaya 20, Shloka 25

The Birth of the Aśvins: Solar Lineage, Saṃjñā and Chāyā, and the Granting of a Hymn and Boons

तयोः कालेन महता ब्रह्मा नारायणात्मकः । तुतोष परमप्रीत्या वरं चैतं ददौ तयोः ॥ २०.२५ ॥

tayoḥ kālena mahatā brahmā nārāyaṇātmakaḥ | tutoṣa paramaprītyā varaṃ caitaṃ dadau tayoḥ || 20.25 ||

Im Verlauf einer sehr langen Zeit wurde Brahmā, dessen Wesen mit Nārāyaṇa identisch ist, überaus zufrieden mit ihnen und gewährte ihnen in tiefer Zuneigung diese Gabe.

तयोःof them (two)
तयोः:
Sambandha (सम्बन्ध)
TypeNoun
Roottad (सर्वनाम-प्रातिपदिक)
Formसर्वनाम, षष्ठी (6th/Genitive), द्विवचन (Dual)
कालेनwith time / after time
कालेन:
Hetu/Karana (हेतु/करण)
TypeNoun
Rootkāla (प्रातिपदिक)
Formपुल्लिङ्ग, तृतीया (Instrumental), एकवचन
महताgreat, long
महता:
Karana (करण)
TypeAdjective
Rootmahat (प्रातिपदिक)
Formपुल्लिङ्ग, तृतीया, एकवचन; विशेषण (qualifying) कालेन
ब्रह्माBrahmā
ब्रह्मा:
Karta (कर्ता)
TypeNoun
Rootbrahman (प्रातिपदिक)
Formपुल्लिङ्ग, प्रथमा (Nominative), एकवचन
नारायणात्मकःwhose essence is Nārāyaṇa
नारायणात्मकः:
Karta (कर्ता)
TypeAdjective
Rootnārāyaṇa+ātmaka (प्रातिपदिक)
Formतत्पुरुष-समास (नारायण-आत्मक = having the nature of Nārāyaṇa); पुल्लिङ्ग, प्रथमा, एकवचन; विशेषण (qualifying) ब्रह्मा
तुतोषwas pleased
तुतोष:
Kriyā (क्रिया)
TypeVerb
Roottuṣ (धातु)
Formलिट् (Perfect), परस्मैपद, प्रथमपुरुष, एकवचन
परमप्रीत्याwith supreme delight
परमप्रीत्या:
Karana (करण)
TypeNoun
Rootparama+prīti (प्रातिपदिक)
Formकर्मधारय-समास; स्त्रीलिङ्ग, तृतीया (Instrumental), एकवचन; भाववाचक
वरम्a boon
वरम्:
Karma (कर्म)
TypeNoun
Rootvara (प्रातिपदिक)
Formपुल्लिङ्ग, द्वितीया (Accusative), एकवचन
and
:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootca (अव्यय)
Formअव्यय, समुच्चय (conjunction)
एतम्this
एतम्:
Karma (कर्म)
TypeAdjective
Rootetad (सर्वनाम-प्रातिपदिक)
Formसर्वनाम-विशेषण, पुल्लिङ्ग, द्वितीया, एकवचन; विशेषण (qualifying) वरम्
ददौgave
ददौ:
Kriyā (क्रिया)
TypeVerb
Rootdā (धातु)
Formलिट् (Perfect), परस्मैपद, प्रथमपुरुष, एकवचन
तयोःto them (two)
तयोः:
Sampradāna (सम्प्रदान)
TypeNoun
Roottad (सर्वनाम-प्रातिपदिक)
Formसर्वनाम, चतुर्थी/षष्ठी-रूपसाम्य; अत्र चतुर्थी (4th/Dative) द्विवचनार्थे प्रयोगः (to them two)

Varāha (default narrative framework; speaker not explicit in excerpt)

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":false}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":true,"instruction_summary":"Long-term tapas/merit culminates in divine satisfaction and the granting of boons (phala as ethical reinforcement).","karmic_consequence":"Sustained merit yields divine favor and desired boons; lack of merit implies non-attainment of such grace."}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":true,"symbolic_interpretation":"The identity-statement ‘Brahmā as Nārāyaṇa-natured’ signals a Purāṇic non-dual hierarchy: creator-function (Brahmā) is grounded in the supreme (Nārāyaṇa), so boons ultimately flow from the same absolute source.","vedantic_connection":"Functional deities as upādhis of the one supreme reality; the ‘pleased and grants boon’ motif frames īśvara-anugraha as the decisive factor for phala."}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"theology of grace and identity","core_concept":"Creatorhood is not independent; Brahmā’s efficacy is rooted in Nārāyaṇa, and boons arise through divine prasāda responding to merit.","practical_application":"Cultivate sustained dharmic practice (tapas, stotra, seva) with humility, viewing results as prasāda rather than entitlement."}

Subject Matter: ["Cosmology","Theology (identity/essence statements)","Ethics (merit and reward motif)"]

Primary Rasa: śānta

Secondary Rasa: adbhuta

Related Themes: Varāha Purāṇa: recurring Brahmā–Nārāyaṇa identity assertions in cosmology sections (general motif)

Visual Art Cues: {"scene_description":"A cosmic court-like moment: Brahmā, inwardly identified with Nārāyaṇa, becomes pleased after long time and grants a boon to two supplicants.","item_prompts":["Brahmā with serene expression","subtle Viṣṇu/Nārāyaṇa aura behind/within Brahmā","two kneeling supplicants","lotus seat","cosmic backdrop (stars/nebula)","gesture of boon-giving (varada-mudrā)"],"kerala_mural_prompt":"Kerala mural style, Brahmā on lotus with layered halos suggesting Nārāyaṇa-essence, two devotees in añjali, rich reds/ochres, flat decorative clouds.","tanjore_prompt":"Tanjore style, heavy gold-leaf halo and ornaments, Brahmā enthroned on lotus, varada-mudrā, embossed aureole implying Nārāyaṇa identity, jewel tones.","mysore_prompt":"Mysore painting style, delicate linework, soft shading, Brahmā with calm face, subtle blue aura hinting Nārāyaṇa, minimal cosmic scenery.","pahari_prompt":"Pahari style, lyrical composition, Brahmā on lotus in a stylized sky, two small figures receiving boon, pastel palette, fine facial features."}

Audio Atmosphere: {"recitation_mood":"reverent and contemplative","suggested_raga":"Yaman","pace":"medium-slow","voice_tone":"steady, warm, declarative"}

C
Classical Literature
P
Purāṇic Narrative
V
Vaiṣṇavism
S
Sanskrit Philology

FAQs

It reflects a common Purāṇic strategy of theological synthesis, expressing Brahmā’s role within a broader Nārāyaṇa-centered cosmology, which is characteristic of many Vaiṣṇava-leaning Purāṇic passages.

No geographic location is named in this verse; the content is primarily cosmological and theological.

The verse encodes an ethical motif of recognition and recompense: sustained effort over time culminates in approval and the granting of a boon, framing merit and benefaction as outcomes of perseverance and alignment with cosmic order.

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