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Varaha Purana 162.17 — Adhyaya 162, Shloka 17

The Efficacy and Merit of Cakra-tīrtha

कल्पग्रामे तदा सिद्धस्तस्य कन्या सुमध्यमा ॥ वरमन्वेषयन्ती सा न प्राप्तस्तु तया मतः ॥

Sanskrit recitationVaraha Purana 162.17

kalpagrāme tadā siddhas tasya kanyā sumadhyamā || varam anveṣayantī sā na prāptas tu tayā mataḥ ||

Damals gab es in Kalpagrāma einen Siddha; seine Tochter, schlank an der Taille, suchte einen Bräutigam, doch hatte sie den gewünschten Gemahl noch nicht erlangt.

कल्पग्रामेin the village named Kalpa
कल्पग्रामे:
Adhikarana (अधिकरण)
TypeNoun
Rootकल्पग्राम (प्रातिपदिक)
Formपुंलिङ्ग, सप्तमी (अधिकरण), एकवचन; समासः—षष्ठी-तत्पुरुष (कल्पस्य ग्रामः)
तदाthen
तदा:
Kāla (काल)
TypeIndeclinable
Rootतदा (अव्यय)
Formकालवाचक-अव्यय (temporal adverb)
सिद्धःa Siddha (accomplished being)
सिद्धः:
Karta (कर्ता)
TypeNoun
Rootसिद्ध (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (कर्ता), एकवचन
तस्यof him
तस्य:
Sambandha (सम्बन्ध/षष्ठी)
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formपुंलिङ्ग, षष्ठी (सम्बन्ध), एकवचन
कन्याdaughter
कन्या:
Karta (कर्ता)
TypeNoun
Rootकन्या (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा (कर्ता), एकवचन
सुमध्यमाslender-waisted
सुमध्यमा:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootसु + मध्यमा (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा (विशेषण), एकवचन; कन्यायाः विशेषणम्
वरम्a bridegroom
वरम्:
Karma (कर्म)
TypeNoun
Rootवर (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया (कर्म), एकवचन
अन्वेषयन्तीseeking
अन्वेषयन्ती:
Karta (कर्ता)
TypeVerb
Rootअनु-इष्/एष् (धातु) + शतृ (कृदन्त)
Formवर्तमान-कृदन्त (शतृ), स्त्रीलिङ्ग, प्रथमा, एकवचन; कर्तरि प्रयोगः
साshe
सा:
Karta (कर्ता)
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा (कर्ता), एकवचन
not
:
Pratiṣedha (निषेध)
TypeIndeclinable
Rootन (अव्यय)
Formनिषेध-अव्यय (particle of negation)
प्राप्तःobtained / found
प्राप्तः:
Karta (कर्ता)
TypeVerb
Rootप्र-आप् (धातु) + क्त (कृदन्त)
Formभूतकर्मणि/भूतकृत् (क्त), पुंलिङ्ग, प्रथमा, एकवचन; ‘मतः’ इति कर्तृवाच्ये विशेषणवत्
तुbut
तु:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootतु (अव्यय)
Formअवधारण/विरोधार्थक-अव्यय (particle: but/indeed)
तयाby her
तया:
Karana (करण)
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formस्त्रीलिङ्ग, तृतीया (करण/कर्तृ), एकवचन
मतःa chosen one / acceptable (suitor)
मतः:
Karta (कर्ता)
TypeNoun
Rootमत (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (कर्ता), एकवचन

Varāha (default narrative frame)

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":false}

Mathura Mandala: {"is_mathura_related":false,"specific_site":"Kalpagrāma"}

Dharma Shastra: {"has_dharma_rule":true,"topic":"varnashrama","instruction_summary":"Householder-lineage continuity is implied: a suitable marriage match should be sought in a dharmic manner, aligning with social order and consent/fitness.","karmic_consequence":"A proper match supports dharma, progeny, and social stability; an improper/forced or adharmic match leads to suffering and disorder."}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":false}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"gṛhastha-dharma orientation","core_concept":"Human aims proceed through dharmic institutions (marriage, lineage); desire must be guided by propriety and right choice.","practical_application":"Seek alliances with discernment and patience; prioritize character/dharma over mere preference when arranging marriage."}

Subject Matter: ["Social ethics","Cultural heritage","Genealogy and household life"]

Primary Rasa: śṛṅgāra

Secondary Rasa: karuṇa

Type: grāma (settlement)

Related Themes: Varāha Purāṇa 162.14–162.17 (preceding death-and-duty arc; narrative transition)

Visual Art Cues: {"scene_description":"In Kalpagrāma, a siddha’s graceful daughter, slender-waisted, is shown in thoughtful longing as she seeks a suitable bridegroom but has not found her desired match.","item_prompts":["village setting (Kalpagrāma)","siddha (ascetic figure) in background","daughter in modest attire, contemplative pose","symbols of marriage-seeking (garland, mirror, attendants)"],"kerala_mural_prompt":"Kerala mural: stylized village grove; daughter with elongated eyes and poised stance; siddha father as calm ascetic presence behind.","tanjore_prompt":"Tanjore: ornate framing; daughter as central figure with gold-highlighted jewelry; include garland and auspicious motifs (kalasha) subtly.","mysore_prompt":"Mysore: elegant figure rendering; emphasize gentle emotion and restraint; detailed textiles and village architecture.","pahari_prompt":"Pahari: romantic, pastoral village scene; daughter near a flowering tree, attendants at a distance; soft colors and delicate mood."}

Audio Atmosphere: {"recitation_mood":"narrative, lightly wistful","suggested_raga":"Khamaj","pace":"medium","voice_tone":"clear, storytelling"}

C
Classical Literature
P
Purāṇic Narrative
S
Social History

FAQs

It shows how Purāṇic narratives embed social institutions (marriage negotiations) within broader ethical and geographic storytelling.

Kalpagrāma is explicitly named again as the settlement context for the marriage-search episode.

The verse implicitly frames marriage as a socially structured search for a suitable match, indicating norms of consent/approval (mata) within the narrative world.

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