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Varaha Purana 146.35 — Adhyaya 146, Shloka 35

The Greatness of Hṛṣīkeśa at Rurukṣetra: The Origin Narrative of Ruru and the Sacred Site

मादृशान्किं मृगयसे बाहुपाशेन वा मृगान् ॥ बद्ध्वा गृहीत्वा वामोरु किं वाऽस्मान्कर्तुमिच्छसि ॥

mādṛśān kiṃ mṛgayase bāhupāśena vā mṛgān || baddhvā gṛhītvā vāmoru kiṃ vā 'smān kartum icchasi ||

„Jägst du Männer wie mich — oder Hirsche — mit der Schlinge deiner Arme? Nachdem du sie gebunden und ergriffen hast, o Schönschenklige, was willst du mit uns tun?“

mādṛśānpeople like me/us
mādṛśān:
Karma (कर्म)
TypeNoun
Rootmādṛśa (प्रातिपदिक)
FormMasculine, Accusative (द्वितीया/2), Plural (बहुवचन)
kimwhy/what
kim:
Prayojana/Question particle (प्रश्न)
TypeIndeclinable
Rootkim (सर्वनाम-प्रातिपदिक/अव्यय)
FormInterrogative indeclinable (निपातवत्) ‘why/what’
mṛgayasedo you hunt/seek
mṛgayase:
Kriyā (क्रिया)
TypeVerb
Rootmṛgaya (धातु, denominative from mṛga)
Formलट् (Present), Ātmanepada, 2nd person, Singular
bāhupāśenawith an arm-noose (embrace)
bāhupāśena:
Karaṇa (करण)
TypeNoun
Rootbāhu+pāśa (प्रातिपदिक)
FormInstrumental (तृतीया/3), Singular; Masculine; tatpuruṣa ‘noose/coil of the arms’
or
:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootvā (अव्यय)
FormDisjunctive particle (विकल्पार्थक निपात)
mṛgāndeer/animals
mṛgān:
Karma (कर्म)
TypeNoun
Rootmṛga (प्रातिपदिक)
FormMasculine, Accusative (द्वितीया/2), Plural
baddhvāhaving bound
baddhvā:
Kriyāviśeṣaṇa (क्रियाविशेषण)
TypeVerb
Rootbandh (धातु) → baddhvā (क्त्वान्त)
FormAbsolutive (क्त्वा), indeclinable; ‘having bound’
gṛhītvāhaving seized
gṛhītvā:
Kriyāviśeṣaṇa (क्रियाविशेषण)
TypeVerb
Rootgrah (धातु) → gṛhītvā (क्त्वान्त)
FormAbsolutive (क्त्वा), indeclinable; ‘having seized/taken’
vāmoruO fair-thighed one
vāmoru:
Sambodhana (सम्बोधन)
TypeNoun
Rootvāma+ūru (प्रातिपदिक)
FormVocative (सम्बोधन/8), Feminine, Singular; karmadhāraya ‘one with lovely thighs’
kimwhat/why
kim:
Prayojana/Question particle (प्रश्न)
TypeIndeclinable
Rootkim (सर्वनाम-प्रातिपदिक/अव्यय)
FormInterrogative indeclinable (निपातवत्)
or
:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootvā (अव्यय)
FormDisjunctive particle (विकल्पार्थक निपात)
asmānus
asmān:
Karma (कर्म)
TypeNoun
Rootasmad (सर्वनाम-प्रातिपदिक)
Form1st person pronoun, Accusative (द्वितीया/2), Plural
kartumto do
kartum:
Prayojana (प्रयोजन/उद्देश्य)
TypeVerb
Rootkṛ (धातु) → kartum (तुमुन्)
FormInfinitive (तुमुन्), indeclinable verbal; ‘to do/make’
icchasiyou wish
icchasi:
Kriyā (क्रिया)
TypeVerb
Rootiṣ (धातु)
Formलट् (Present), Parasmaipada, 2nd person, Singular

Devadatta (the sage; continued direct speech)

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":true,"speaker_role":"questioner","key_question":"Are you ‘hunting’ us with the snare of your arms, and after binding/seizing us what do you intend to do?"}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":false}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":false}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"ethics of desire and consent","core_concept":"Power dynamics in attraction: ‘binding’ by beauty/embrace is framed as a moral question about intent.","practical_application":"Treat desire and intimacy as accountable action: clarify intention, avoid coercion, and respect autonomy."}

Subject Matter: ["Ethics","Dialogue"]

Primary Rasa: śṛṅgāra

Secondary Rasa: bhayānaka

Related Themes: Varāha Purāṇa 146.39 (submission/dependence motif continues)

Visual Art Cues: {"scene_description":"A sage (Devadatta) addresses a captivating woman, using the metaphor of hunting with arm-nooses; the moment is charged with flirtation and apprehension.","item_prompts":["ascetic with matted hair and bark-cloth","woman with ‘fair thighs’ (vāmoru) in elegant stance","arms posed like a snare/noose","forest hermitage backdrop","expressions: bold questioning vs enigmatic calm"],"kerala_mural_prompt":"Kerala mural style: saturated greens and reds, stylized ascetic face with large eyes, the woman in ornate jewelry; gesture-focused composition showing ‘arm-noose’ metaphor.","tanjore_prompt":"Tanjore style: central figures with gold-leaf ornaments, the woman’s jewelry and borders highlighted; sage with minimal gold, emphasizing contrast of renunciation and allure.","mysore_prompt":"Mysore style: delicate linework, soft shading; emphasize facial expressions—sage’s wary boldness and woman’s composed ambiguity.","pahari_prompt":"Pahari style: lyrical forest setting, slender figures, expressive eyes; depict the ‘hunt’ metaphor subtly through arm positioning and spacing."}

Audio Atmosphere: {"recitation_mood":"dramatic-dialogic","suggested_raga":"Bhairavi","pace":"medium","voice_tone":"probing, slightly ironic, with an undercurrent of caution"}

C
Classical Literature
P
Purāṇic Narrative
S
Sanskrit Metaphor

FAQs

The verse shows the transfer of hunting vocabulary into erotic metaphor, a notable stylistic feature for comparative studies across Purāṇa and kāvya.

No specific geographic marker is present.

It implicitly raises questions about consent, intention, and the moral ambiguity of pursuit framed as ‘capture’.

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