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Varaha Purana 145.13 — Adhyaya 145, Shloka 13

The Greatness of the Śālagrāma Sacred Region

तत्रापि सामवेदोक्तैर्मन्त्रैस्तुष्टाव मां मुनिः ।। ततोऽहं स्तूयमानो वै ऋषिमुख्येन सुन्दरि ।।

tatrāpi sāmavedoktair mantrais tuṣṭāva māṃ muniḥ || tato’haṃ stūyamāno vai ṛṣimukhyena sundari ||

Auch dort pries mich der Muni mit Mantras, wie sie im Sāmaveda gelehrt sind. Dann, während ich von jenem vorzüglichsten der Rishis gepriesen wurde, o Sundarī—

तत्रthere
तत्र:
Adhikarana (अधिकरण)
TypeIndeclinable
Rootतत्र (अव्यय)
Formदेशवाचक-अव्यय
अपिalso
अपि:
Sambandha (सम्बन्ध/निपात)
TypeIndeclinable
Rootअपि (अव्यय)
Formसमुच्चय/अप्यर्थ-निपात (also)
सामवेदोक्तैःwith (those) stated in the Sāmaveda
सामवेदोक्तैः:
Karana (करण)
TypeAdjective
Rootसामवेद (प्रातिपदिक) + उक्त (कृदन्त)
Formतत्पुरुष: (सामवेदे उक्त) ; पुंलिङ्ग, तृतीया, बहुवचन; masc instr pl (agreeing with मन्त्रैः)
मन्त्रैःby mantras
मन्त्रैः:
Karana (करण)
TypeNoun
Rootमन्त्र (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया, बहुवचन; Instrumental pl
तुष्टावpraised
तुष्टाव:
Kriya (क्रिया)
TypeVerb
Rootस्तु (धातु) (लिट्)
Formलिट् (परोक्षभूत/परफेक्ट), प्रथमपुरुष, एकवचन, परस्मैपद; Perfect 3rd sg
माम्me
माम्:
Karma (कर्म)
TypeNoun
Rootअस्मद् (सर्वनाम-प्रातिपदिक)
Formसर्वनाम, द्वितीया, एकवचन; Pronoun acc sg
मुनिःthe sage
मुनिः:
Karta (कर्ता)
TypeNoun
Rootमुनि (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन; nom sg
ततःthen
ततः:
Adhikarana (अधिकरण)
TypeIndeclinable
Rootततः (अव्यय)
Formअव्यय (then/from there)
अहम्I
अहम्:
Karta (कर्ता)
TypeNoun
Rootअस्मद् (सर्वनाम-प्रातिपदिक)
Formसर्वनाम, प्रथमा, एकवचन
स्तूयमानःbeing praised
स्तूयमानः:
Karta (कर्ता)
TypeVerb
Rootस्तु (धातु) → स्तूयमान (कृदन्त, वर्तमानकाले कर्मणि)
Formकर्मणि वर्तमानकृदन्त (present passive participle), पुंलिङ्ग, प्रथमा, एकवचन
वैindeed
वै:
Sambandha (सम्बन्ध/निपात)
TypeIndeclinable
Rootवै (अव्यय)
Formनिपात (emphatic particle)
ऋषिमुख्येनby the foremost sage
ऋषिमुख्येन:
Karana (करण)
TypeNoun
Rootऋषि (प्रातिपदिक) + मुख्य (प्रातिपदिक)
Formतत्पुरुष: (ऋषीणां मुख्यः) ; पुंलिङ्ग, तृतीया, एकवचन; Instrumental sg
सुन्दरिO beautiful one
सुन्दरि:
Sambodhana (सम्बोधन)
TypeNoun
Rootसुन्दरी (प्रातिपदिक)
Formस्त्रीलिङ्ग, सम्बोधन, एकवचन; Vocative sg

Varāha

Varaha Avatara Context: {"is_varaha_focus":true,"aspect_highlighted":"cosmic_power","earth_interaction":"Continuing narration to Bhū-devī: the Lord receives Sāmavedic praise, emphasizing Veda-wide recognition."}

Bhu Devi Dialogue: {"is_dialogue":true,"speaker_role":"instructor","bhu_devi_state":"curious, reassured","key_question":"How do different Vedas (here Sāma) participate in praising and ‘pleasing’ the Lord, and what does that imply about devotional sound?"}

Mathura Mandala: {"is_mathura_related":false,"parikrama_context":"None explicit; the emphasis shifts from movement to sonic praise (Sāma as sung stuti).","krishna_connection":"Indirect tonal foreshadowing: Sāma’s musicality anticipates later Vaiṣṇava bhakti traditions of sung praise, though not specifically Kṛṣṇa here."}

Dharma Shastra: {"has_dharma_rule":false}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":true,"symbolic_interpretation":"The Lord as the recipient and ground of Sāman (melodic Veda): devotion becomes ‘sāttvika’ harmonization where cosmic order is mirrored in musical praise.","yajna_varaha_imagery":"Sāmaveda as udgātṛ-function (sung chant) completing yajña’s sonic body; the deity is ‘tūṣṭa’ (pleased) by properly intoned sacred sound.","vedantic_connection":"Nāda/śabda as a bridge to Brahman: disciplined sacred sound refines mind (antaḥkaraṇa-śuddhi) and prepares for grace (anugraha)."}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"bhakti through śabda / disciplined praise","core_concept":"Rightly offered praise—especially Veda-grounded—transforms devotion into a potent means of divine approach.","practical_application":"Cultivate careful recitation/chanting (svara, śraddhā, steadiness); treat devotional music as sādhana, not entertainment."}

Subject Matter: ["Vedic Intertextuality","Praise Poetry","Teacher–Inquirer Dialogue Frame"]

Primary Rasa: adbhuta

Secondary Rasa: bhakti

Type: ritual/pilgrimage setting

Related Themes: Varāha Purāṇa: sequence of Veda-linked stutis culminating in boon-granting (next verses)

Visual Art Cues: {"scene_description":"A foremost sage sings Sāmavedic mantras in praise; Varāha listens, pleased, while Bhū-devī receives the narration.","item_prompts":["sage with vīṇā-like visual cue (symbolic, even if anachronistic) or chanting posture","sound-wave motifs around the sage","Varāha attentive, blessing-ready","forest/ritual clearing","Bhū-devī as listener in dialogue frame"],"kerala_mural_prompt":"Kerala mural: emphasize rhythmic gesture—sage’s raised hand marking tāla; Varāha calm and luminous; stylized sound motifs; earthy reds and greens.","tanjore_prompt":"Tanjore: gold halo around Varāha, ornate borders; sage in devotional singing pose; embossed musical motifs; rich textiles.","mysore_prompt":"Mysore: refined facial expressions, gentle musical ambience; minimal background with focus on the exchange of sound and grace.","pahari_prompt":"Pahari: lyrical landscape, birds and trees subtly echoing the music; sage small but central in action; Varāha serene, receptive."}

Audio Atmosphere: {"recitation_mood":"devotional, melodically suggestive","suggested_raga":"Yaman","pace":"medium-slow","voice_tone":"sonorous, slightly musical, with clear cadence"}

C
Classical Literature
V
Vaishnavism
V
Vedic Reception
P
Purāṇic Narrative

FAQs

By naming the Sāmaveda, it documents the Purāṇic strategy of linking devotional praise to established Vedic liturgical traditions.

The verse does not specify a location; it continues the directional/itinerant frame without naming a tīrtha or settlement.

The text valorizes learned, tradition-based speech as a means of engagement between a sage and the central figure.

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