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Varaha Purana 138.97 — Adhyaya 138, Shloka 97

The Episode of the Khañjarīṭa Bird

and the Saukarava Tīrtha’s Merit

प्रणम्य शिरसा भूमौ बद्धाञ्जलिरयाचत ॥ मत्प्रियं यदि कर्त्तव्यमेको मे दीयतां वरः

praṇamya śirasā bhūmau baddhāñjalir ayācata || mat-priyaṃ yadi karttavyam eko me dīyatāṃ varaḥ

Den Kopf zur Erde geneigt und die Hände gefaltet, bat er: „Wenn das, was mir lieb ist, getan werden soll, so werde mir ein einziger Segen gewährt.“

praṇamyahaving bowed down
praṇamya:
Kriyāviśeṣaṇa (क्रियाविशेषण)
TypeVerb
Rootpra-√nam (धातु)
FormAbsolutive/Gerund (क्त्वान्त/ल्यप्), from pra-√nam; indeclinable verbal form; ‘having bowed’
śirasāwith (his) head
śirasā:
Karaṇa (करण)
TypeNoun
Rootśiras (प्रातिपदिक)
FormNeuter (नपुंसकलिङ्ग), Instrumental (3rd/तृतीया), Singular (एकवचन)
bhūmauon the ground
bhūmau:
Adhikaraṇa (अधिकरण)
TypeNoun
Rootbhūmi (प्रातिपदिक)
FormFeminine (स्त्रीलिङ्ग), Locative (7th/सप्तमी), Singular (एकवचन)
baddha-añjaliḥ(he) with folded hands
baddha-añjaliḥ:
Karta (कर्ता)
TypeAdjective
Rootbaddha (√bandh, धातु; कृदन्त) + añjali (प्रातिपदिक)
FormMasculine (पुंलिङ्ग), Nominative (1st/प्रथमा), Singular; compound: ‘baddhaḥ añjaliḥ yasya saḥ’ used adjectivally; lit. ‘with joined palms’
ayācatarequested/begged
ayācata:
Kriyā (क्रिया)
TypeVerb
Root√yāc (धातु)
FormImperfect (लङ्), 3rd Person (प्रथमपुरुष), Singular (एकवचन), Parasmaipada (परस्मैपद)
mat-priyamwhat is dear to me
mat-priyam:
Karma (कर्म)
TypeNoun
Rootmad (सर्वनाम-प्रातिपदिक) + priya (प्रातिपदिक)
FormNeuter (नपुंसकलिङ्ग), Accusative (2nd/द्वितीया), Singular; genitive-tatpurusha: ‘my dear/pleasing (thing)’
yadiif
yadi:
Sambandha/Upapada (सम्बन्ध/उपपद)
TypeIndeclinable
Rootyadi (अव्यय)
FormConditional particle (शर्तसूचक अव्यय)
karttavyamis to be done / should be done
karttavyam:
Kriyā (क्रिया)
TypeVerb
Root√kṛ (धातु)
FormGerundive (कर्तव्य/तव्यत्), Neuter, Nominative/Accusative Singular; impersonal obligation: ‘to be done/should be done’
ekaḥone
ekaḥ:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rooteka (प्रातिपदिक)
FormMasculine, Nominative (1st), Singular; qualifies ‘varaḥ’
meof me / my
me:
Sambandha (सम्बन्ध)
TypeNoun
Rootmad (सर्वनाम-प्रातिपदिक)
FormPronoun; Genitive (6th/षष्ठी) Singular (एकवचन); enclitic form
dīyatāmlet (it) be given
dīyatām:
Kriyā (क्रिया)
TypeVerb
Root√dā (धातु)
FormImperative (लोट्), 3rd Person (प्रथमपुरुष), Singular; Ātmanepada passive-style usage (कर्मणि/भावे प्रयोग): ‘let (it) be given’
varaḥa boon
varaḥ:
Karta (कर्ता)
TypeNoun
Rootvara (प्रातिपदिक)
FormMasculine, Nominative (1st), Singular

Unspecified (narrative voice; speaker not explicit in fragment)

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":false,"speaker_role":"devotee","key_question":"A supplicant requests a single boon, framed as ‘if you would do what is dear to me’—the specific boon is not stated in this fragment."}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":false}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":false}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"devotional praxis (śaraṇāgati posture)","core_concept":"Humility and focused desire (asking ‘one boon’) are presented as proper modes of approaching the divine/powerful.","practical_application":"When seeking guidance or grace, approach with reverence, clarity, and restraint rather than scattered demands."}

Subject Matter: ["Ethics","Narrative Literature"]

Primary Rasa: bhakti

Secondary Rasa: śānta

Type: mythic narrative space

Related Themes: Boons motif in adjacent narrative units (vara-pradāna sequences)

Visual Art Cues: {"scene_description":"A devotee/protagonist bows fully, head touching the earth, hands joined, looking up to request a boon from a seated divine/royal figure (not shown explicitly in the fragment).","item_prompts":["full prostration (śirasā bhūmau)","añjali-mudrā","dust/earth contact","seated recipient on throne or lotus seat (optional, generic)","aura of solemnity"],"kerala_mural_prompt":"Kerala mural: strong gesture emphasis—prostrating figure in foreground, dignified recipient in background, rich earth tones and clear mudrās.","tanjore_prompt":"Tanjore: dramatic foreground prostration, gold-leaf throne/arch for the boon-giver, ornate textiles.","mysore_prompt":"Mysore: balanced composition, refined anatomy, subtle devotional emotion, clean palace/temple interior.","pahari_prompt":"Pahari: narrative vignette with delicate lines, hillside-palace or temple pavilion, emphasis on humility and intimacy."}

Audio Atmosphere: {"recitation_mood":"solemn, pleading, reverent","suggested_raga":"Todi","pace":"slow","voice_tone":"low, earnest, controlled"}

C
Classical Literature
P
Purāṇic Narrative
R
Ritual Gesture
B
Boons Motif

FAQs

It records conventional courtly/ritualized petition language and bodily gestures (praṇāma, añjali) used across Purāṇic and epic narrative traditions.

No place-name is given.

It foregrounds humility and formal etiquette in requesting favors or moral actions within the narrative framework.

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