Varaha Purana 126.3: Adhyaya 126, Shloka 3
The Greatness of Kubjāmraka: Raibhya’s Boon and the Teaching on the Sacred Tīrthas
ततो बहुतिथे काले व्यतीते सति धीमताम् ॥ ततः कदाचिद्भूपालो राजपुत्रमुपस्थितम् ॥
tato bahutithe kāle vyatīte sati dhīmatām | tataḥ kadācid bhūpālo rājaputram upasthitam ||
Dann, nachdem unter den Weisen lange Zeit verstrichen war, erschien zu einem Zeitpunkt ein König, und ein Königssohn trat herzu (oder war in seiner Begleitung).
Narrator
Varaha Avatara Context: {"is_varaha_focus":false}
Bhu Devi Dialogue: {"is_dialogue":false,"speaker_role":"observer"}
Mathura Mandala: {"is_mathura_related":false}
Dharma Shastra: {"has_dharma_rule":true,"topic":"rajaniti","instruction_summary":"The narrative frames legitimate kingship through lineage and the prince’s formal approach/attendance, implying orderly succession and courtly protocol.","karmic_consequence":"Upholding righteous succession and disciplined attendance sustains stability and fame; neglect of royal duty leads to disorder and loss of merit (kīrti-kṣaya)."}
Vrata Mahatmya: {"has_vrata":false}
Cosmic Boar Symbolism: {"has_symbolism":false}
Philosophical Teaching: {"has_teaching":true,"teaching_type":"itihāsa-purāṇa narrative ethics","core_concept":"Time (kāla) ripens events; dharma is carried through institutions (rājya, kula, śiṣya/putra).","practical_application":"Treat inherited responsibilities as sacred trusts; approach teachers/elders with discipline and readiness to learn."}
Subject Matter: ["History","Heritage Sites"]
Primary Rasa: śānta
Secondary Rasa: vīra
Type: narrative frame (royal court/kingdom implied)
Related Themes: Varāha Purāṇa: tīrtha-kathā sections commonly open with dynastic/narrator transitions (adhyāya-sandhi pattern)
Visual Art Cues: {"scene_description":"A calm courtly scene: after long years, a king is shown seated or arriving, with a prince respectfully approaching/standing nearby as the narrative turns to a new episode.","item_prompts":["king with crown and royal parasol","prince with folded hands (añjali)","court pillars and attendants","scroll or palm-leaf manuscript to signal narration","twilight or seasonal change to show passage of time"],"kerala_mural_prompt":"Kerala mural style, flat yet ornate palace interior, warm earthy palette, king seated on simhāsana, prince in añjali, decorative borders and jewelry emphasis.","tanjore_prompt":"Tanjore style, central king figure with gold-leaf ornaments, prince slightly smaller at side, rich textiles, halo-like arch behind throne.","mysore_prompt":"Mysore painting style, delicate linework, subdued elegance, court scene with refined facial expressions, detailed garments.","pahari_prompt":"Pahari miniature style, architectural palace backdrop, lyrical spacing, king and prince in profile, soft hills/sky hinting time’s passage."}
Audio Atmosphere: {"recitation_mood":"measured narrative transition","suggested_raga":"Śrī (or Kalyāṇi for dignified narration)","pace":"madhyama","voice_tone":"steady, courtly, storyteller-like"}
FAQs
It introduces a royal narrative episode, reflecting how Purāṇas embed ethical and site-based instruction within stories of kingship and lineage.
No specific place-name appears in this line; it likely continues the Kubjāmraka context established in the chapter opening.
Implicitly, it frames exemplary figures (royal agents) as participants in the unfolding of dharma and cultural memory.
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