The Threefold Division by the Guṇas, the Deities’ Attainment of Worship, and the Opening of the Durjaya Episode
ततः कालेन महता तस्य पुत्रद्वयं बभौ । सुकेश्याः सुप्रभः पुत्रो मिश्रकेश्याः सुदर्शनः ॥ १०.७२ ॥
tataḥ kālena mahatā tasya putradvayaṁ babhau | sukeśyāḥ suprabhaḥ putro miśrakeśyāḥ sudarśanaḥ || 10.72 ||
Dann, nach langer Zeit, wurden ihm zwei Söhne geboren: Suprabha war der Sohn der Sukeśyā, und Sudarśana war (der Sohn) der Miśrakeśyā.
Varāha
Varaha Avatara Context: {"is_varaha_focus":false,"aspect_highlighted":"None","boar_form_detail":"None","earth_interaction":"None"}
Bhu Devi Dialogue: {"is_dialogue":false,"speaker_role":"None","bhu_devi_state":"None","key_question":"None"}
Mathura Mandala: {"is_mathura_related":false,"specific_site":"None","parikrama_context":"None","krishna_connection":"None"}
Dharma Shastra: {"has_dharma_rule":false,"topic":"None","instruction_summary":"None","karmic_consequence":"None"}
Vrata Mahatmya: {"has_vrata":false,"vrata_name":"None","tithi_month":"None","promised_fruit":"None"}
Cosmic Boar Symbolism: {"has_symbolism":false,"symbolic_interpretation":"None","yajna_varaha_imagery":"None","vedantic_connection":"None"}
Philosophical Teaching: {"has_teaching":true,"teaching_type":"Purāṇic historiography (vaṃśa-dharma)","core_concept":"Time ripens actions into lineage; progeny and naming encode continuity of dharma and social order.","practical_application":"Honor continuity—record lineage responsibly, raise heirs with dharma, and treat family life as a long-term ethical project."}
Subject Matter: ["Genealogy","Lineage Transmission","Narrative History"]
Primary Rasa: śānta
Secondary Rasa: vīra
Type: Dynastic space
Related Themes: Genealogical thread from marriage (10.10.69–70) to progeny (10.10.72)
Visual Art Cues: {"scene_description":"A domestic royal scene after years: the two queens with their infants/young sons, with attendants celebrating the birth and naming.","item_prompts":["two queens seated separately with children","naming rite gesture (whispering name)","cradle and auspicious symbols (svastika, kalaśa)","women attendants with lamps","calendar/time motif (moon phases)"],"kerala_mural_prompt":"Kerala mural: symmetrical maternal tableau, rich ornamentation, attendants with lamps, calm śānta mood emphasizing continuity.","tanjore_prompt":"Tanjore: gold-leaf halos for royal figures, ornate cradle, lavish jewelry, celebratory yet sacred domesticity.","mysore_prompt":"Mysore: tender maternal expressions, fine textile detail, soft interior lighting, emphasis on naming moment.","pahari_prompt":"Pahari: intimate palace interior, delicate faces, bright quilts/cradle cloth, narrative focus on two mothers and two sons."}
Audio Atmosphere: {"recitation_mood":"calm, genealogical cadence","suggested_raga":"Shree","pace":"medium-slow","voice_tone":"even, reflective, chronicle-like"}
It exemplifies a common Purāṇic archival mode: recording descent and succession through named offspring and maternal attribution, which helps structure larger narrative-historical frameworks in the text.
No geographic location is specified in this verse; it is focused on lineage and parentage rather than sacred geography.
No direct ethical injunction appears here; the verse primarily functions as genealogical documentation within the narrative flow.
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