दाक्षायणी महादेवी चकार विविधास्तदा । क्रीडा विमानमध्यस्ता कन्दुकाद्याः सहस्रशः
dākṣāyaṇī mahādevī cakāra vividhāstadā | krīḍā vimānamadhyastā kandukādyāḥ sahasraśaḥ
Daraufhin widmete sich Dākṣāyaṇī, die große Göttin, vielerlei Spielen, im Innern des Vimāna sitzend: Ballspiele und andere Zeitvertreibe zu Tausenden.
Sūta (Lomaharṣaṇa) narrating
Tirtha: Gandhamādana–Dhārāgṛha vicinity
Type: kshetra
Scene: Inside a jeweled vimāna hovering over Gandhamādana, Dākṣāyaṇī plays countless games—ball-play and lively pastimes—while sakhīs laugh and move in rhythmic circles, with streams glittering below.
Divine līlā (play) is portrayed as effortless sovereignty—yet it also sets the stage for sudden turns of dharma within sacred history.
The broader scene remains Gandhamādana/Dhārāgṛha within Kedārakhaṇḍa’s sacred landscape.
None; it describes the goddess’s pastimes.