वाग्भवमायालक्ष्मीमदनप्रणवान्वदेत्पूर्वम् । भांत्यं बिंदूपेतं मणिपदमथ कर्णिके सहृत्प्रणवपुटः
vāgbhavamāyālakṣmīmadanapraṇavānvadetpūrvam | bhāṃtyaṃ biṃdūpetaṃ maṇipadamatha karṇike sahṛtpraṇavapuṭaḥ
Zuerst soll man die Bīja-Silben sprechen—Vāgbhava, Māyā, Lakṣmī und Madana—zusammen mit dem Praṇava. Dann (spreche man) „bhāṃ“, mit dem bindu versehen, darauf das Wort „maṇi“; und sodann „karṇike“, umschlossen vom Praṇava, verbunden mit „hṛt“.
Skanda (deduced; Kāśīkhaṇḍa context typically Skanda speaking to Agastya)
Tirtha: Maṇikarṇikā
Type: kshetra
Scene: A teacher delineates mantra components: bīja-syllables (Vāgbhava, Māyā, Lakṣmī, Madana) with praṇava; then ‘bhāṃ’ with bindu; ‘maṇi’; ‘karṇike’; all enclosed by praṇava with ‘hṛt’. Visualize syllables as glowing akṣaras entering the heart-lotus.
Sacred sound is treated as a precise spiritual technology; correct sequencing and framing of bīja-syllables is emphasized for effective worship.
Maṇikarṇikā in Kāśī, since the mantra taught belongs to Maṇikarṇikā Devī, the presiding power of that tīrtha.
A specific mantra-utterance sequence (japa-vidhi) using praṇava and multiple bīja-syllables, including ‘bhāṃ’ (with bindu) and the words ‘maṇi’ and ‘karṇike’.