मृडान्याभिहि तं सर्वं कृत्वैतद्विश्वगो विभुः । विश्वनाथो विवेशाथ प्रासादं स्वमतर्कितः
mṛḍānyābhihi taṃ sarvaṃ kṛtvaitadviśvago vibhuḥ | viśvanātho viveśātha prāsādaṃ svamatarkitaḥ
Nachdem er alles getan hatte, wie Mṛḍānī (Pārvatī) gesprochen hatte, trat der allgegenwärtige Herr—Viśvanātha—darauf in seinen Palast ein, sein Vorhaben vollendet.
Contextual attribution: Skanda narrating events in Kāśī concerning Viśvanātha
Scene: Viśvanātha, having fulfilled what Mṛḍānī instructed, enters his palace—calm closure after a sacred act; attendants and temple-palace architecture frame the scene.
Divine acts in tīrtha narratives unfold through purposeful resolve, often guided by the Goddess, revealing harmony of Śiva–Śakti.
Kāśī through Viśvanātha, the city’s supreme Śaiva presence.
No direct ritual is prescribed; it concludes a narrated sequence of actions connected with the tīrtha’s establishment/glory.