साक्षात्तपस्यंतमिव तपो धृत्वा नराकृतिम् । निराकृतिं निराकाशं कृत्वा भक्तिं च कांचनम्
sākṣāttapasyaṃtamiva tapo dhṛtvā narākṛtim | nirākṛtiṃ nirākāśaṃ kṛtvā bhaktiṃ ca kāṃcanam
Es war, als hätte Tapas selbst menschliche Gestalt angenommen und die Askese leibhaftig geübt; als hätte es die formlose, alles durchdringende, raumgleiche Wirklichkeit zugänglich gemacht und die Bhakti in etwas Goldenes und Greifbares verwandelt.
Narrator (Purāṇic voice; likely Sūta/Lomaharṣaṇa)
Tirtha: Dharmāraṇya
Type: kshetra
Scene: An ascetic who seems like ‘Tapas’ incarnate; around him, the abstract becomes visible—space-like vastness rendered as a subtle luminous field; devotion appears as a golden sheen, as if bhakti itself has become a tangible ornament.
Austerity and devotion together make the subtle, formless truth approachable in lived religious experience.
The verse functions within Dharmāraṇya’s Mahātmya atmosphere rather than naming a specific tīrtha in this line.
No explicit prescription; the focus is theological praise of tapas and bhakti.