शर्वलब्धवरो दैवात्पुनस्तेपे महत्तपः । रम्ये सरस्वतीतीरे तरणाय भवार्णवात्
śarvalabdhavaro daivātpunastepe mahattapaḥ | ramye sarasvatītīre taraṇāya bhavārṇavāt
Nachdem er durch Fügung des Schicksals eine Gabe von Śarva (Śiva) erlangt hatte, nahm er erneut große Askese auf am lieblichen Ufer der Sarasvatī, um den Ozean des weltlichen Werdens zu überqueren.
Narrator (contextual; likely Sūta continuing the account)
Tirtha: Sarasvatī-tīra (general)
Type: riverbank/ghat
Scene: Lohāsura performs fierce austerities on a beautiful Sarasvatī bank—still waters, reeds, hermitage trees—seeking to cross saṃsāra.
Tapas performed at sacred riverbanks is portrayed as a means toward liberation—crossing the ‘bhavārṇava’—though inner intent remains crucial.
The Sarasvatī riverbank (Sarasvatī-tīra) is presented as a spiritually potent setting for austerity.
Great tapas (austerity) is the practice emphasized; no specific vrata or dāna is detailed in this verse.