न च पंचाक्षरी जप्ता न कृतं शिवपूजनम् । न ध्यातो भगवाञ्छंभुः कथमेनां निनीषथ
na ca paṃcākṣarī japtā na kṛtaṃ śivapūjanam | na dhyāto bhagavāñchaṃbhuḥ kathamenāṃ ninīṣatha
Weder hat sie die fünfsilbige Mantra gejapa, noch Śiva verehrt; noch hat sie den Erhabenen Śambhu meditiert—wie wollt ihr sie (in Śivas Reich) fortführen?
Yamadūta
Scene: Critics point out she never chanted the pañcākṣarī, never performed Śiva-pūjā, never meditated on Śambhu; in the background, a liṅga and bilva leaves appear as silent witnesses, while the vimāna’s light suggests grace beyond formal practice.
Japa, pūjā, and dhyāna are named as classic Shaiva means of merit—yet the broader episode stresses that Śiva’s grace can still redeem.
No tīrtha is identified in this verse; it centers on mantra and worship.
Chanting the pañcākṣarī (‘namaḥ śivāya’), performing Śiva-pūjā, and meditating on Śambhu are referenced as devotional practices.