स्वपत्नीं बंदुलां नाम हित्वा प्रतिनिशं तथा । वेश्याभवनमासाद्य रमते स्मरपीडितः
svapatnīṃ baṃdulāṃ nāma hitvā pratiniśaṃ tathā | veśyābhavanamāsādya ramate smarapīḍitaḥ
Seine eigene Gattin namens Bandulā verlassend, ging er Nacht um Nacht in das Haus der Kurtisanen und ergötzte sich dort, gequält und getrieben von Kāma, dem Gott der Begierde.
Brahmā (deduced from Brāhma Khaṇḍa / Brahmottara-khaṇḍa narrative setting)
Scene: Night scene: Vidura leaving his home, wife Bandulā left behind; the courtesans’ quarter lit with alluring lamps; Kāma’s presence suggested as an unseen force pulling him.
Unchecked kāma (lust) destabilizes gṛhastha-dharma; abandoning one’s lawful spouse for sensual indulgence is portrayed as a moral fall that leads to further suffering and demerit.
No tīrtha or sthala-māhātmya is explicitly named in this verse; it functions as an ethical narrative detail within the Brahmottara-khaṇḍa context.
None is stated in this shloka; it is descriptive (narrative) rather than prescriptive (vrata/dāna/snānajapa).