रावणरथवैभव–निमित्तदर्शन–राममातलिसंवादः
Ravana’s Chariot, Portents, and Rama–Matali Instructions
समापतन्तंसहसास्वनवन्तंमहाध्वजम् ।।6.108.4।।रथंराक्षसराजस्यनरराजोददर्श ह ।कृष्णवाजिसमायुक्तंयुक्तंरौद्रेणवर्चसा ।।6.108.5।।दीप्यमानमिवाकाशेविमानंसूर्यवर्चसं ।तडित्पताकागहनंदर्शितेन्द्रायुधप्रभम् ।।6.108.6।।
kṛṣṇavājisamāyuktaṃ yuktaṃ raudreṇa varcasā |
Er war an dunkle Rosse gespannt und mit einem wilden, zornigen Glanz gerüstet.
Thereafter, Raghava, knower of the signs of victory in war and his own self experience felt joyful and proceeded to put an end to the enemy, exhibiting greater prowess.৷৷ ইত্যার্ষেবাল্মীকীযেশ্রীমদ্রামাযণেআদিকাব্যেযুদ্ধকাণ্ডেঅষ্টোত্তরশততমস্সর্গঃ ৷৷This is the end of one hundred and eighth sarga of Yuddha Kanda of the first epic the holy Ramayana composed by sage Valmiki.
Dharma here is implicit: outward power and splendor do not equal righteousness; the epic distinguishes might from moral legitimacy.
The narrator continues describing Rāvaṇa’s formidable battle-chariot as it approaches.
Discernment—readers are prompted to separate terrifying appearance from ethical standing.